E46｜他的坦白

纸面计划 165秒；文本范围复审完成，素材/媒体/真人英语未测。OUTCOME_NOT_TESTED。

【Lens Group E46-G01｜先牵住，再说喜欢】

【本组时长】27.5秒

【目标模型】Seedance 2.5

【出场人物】莉拉，24岁成年女性人类；栗黑发束后，平直眉、略方下颌与真实眼下软组织，肩背腿髋稳健。浅石灰不透明旅行裙，袖肘活动片、髋下行走开裥和低跟实靴；普通婚戒、完整翠玉镯；自己的24×18×8cm素深皮包扣挂本人腰侧，无新伤，不公开首领身份。 起右揪领左空；本组真实松右领开步，后左指被牵并贴他胸；腰包始终本人。 固定声线：成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷。 卡西安，26岁成年男性，与自主富有完整六肢黑龙同一身份；人形深棕短发、厚眉、宽鼻根和年轻宽下颌，宽肩厚颈大掌。高质哑黑斜襟羊毛外衣、白软内衫、黑裤实靴、普通婚戒；海靛灰亲缝肩颈软衬只露同一窄领角，私人前襟刺绣扣隐。左掌仅原伤后的薄干包布，能正常提物，无新血或永久支具；五指、普通瞳孔，本场不出角鳞、不化龙，背伤尚未发生。 起右提同箱，真实换左后才空右牵她左，左薄布正常承重。 固定声线：年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑。

【场景】日内灰港驿馆楼梯平台通门廊；盐白墙、海青木窗、外栏粗麻帆，候车门廊有侧边稳台阶。先从平台松领开步，再真切省普通下楼路，接门廊最后一步；不在同take藏下楼。

【道具】P36.05同一旅箱先男右提，随后换左；她腰包扣好。其余文书仍包内，箱未放地、手未贴胸。

【场景过渡】本组首次建立列明空间，按明确切点进入；不重复此前已完成动作。

【空间锚点 Spatial Anchor】平台到同海窗门廊为下楼轴；她在男右侧、离候车门约1m。

【角色站位】起她右揪领、左空，他右箱左空；先松右领开步。他追上后实换左箱，空右牵她左指，再带她左掌到胸。

【预演机位与场内移动】楼梯平台二人全身、她右指从男领松开、下楼第一踏与男右提箱同窗。；固定平台侧宽镜，让松领和真实第一踏都发生在画内，追随留给实际切后的门廊。 → 门廊最后一级实阶、她前一步/男右提同箱追最后一步，二人足地与1m候车路。；真实切省普通下楼中程；侧移40cm只伴门廊末一步，落她刚停而男未接手。 → 两腰至胸、同旅箱把由男右到左承重，男空右接妻空左指；脸只下颌边不强读眼。；锁手与箱把，不用脸近景遮掉实际交重。 → 男认真眼口与妻近侧眼线、相邻肩，牵手和左箱画外保持。；从他仍等她眼睛起前推12cm，落more than your husband on paper的真坦白，不抢她反应。 → 男右托妻左掌从二人间移到自己胸前布面，左箱画外仍承重；只有这一处手掌接触。；固定近接触让她掌从未贴到贴稳完整走完，心跳不画成光或胸腔图。 → 男坦诚眼口、妻近侧脸听见，胸前相触手可在画下边只见一处，不见左箱。；保同一近距两人，不用欲望蒙太奇替代他当面承认。

【初始物理状态】平台两人仍近身停；妻右领未松，箱仍他右，双方未牵手。

【统一光影】晨海窗侧光和真实帆影缓移，脸可读，非魔光。

【风格提示词】原生9:16写实真人浪漫奇幻，保自然皮肤、布木铜重量；眼口、接触点、身体支撑与去向清楚。无黑雾残影或悬浮物。

【声音与画面硬锁】同箱右→左实体交重，左薄布不出新血；妻右松领后自由，男右只牵妻左；无胸前手或落箱提前。

【Lens Group E46-G01｜Take her hand, then admit it】

【Duration】27.5 seconds

【Target model】Seedance 2.5

【Cast and voice sources】Lila, a 24-year-old adult human woman with secured chestnut-black hair, straight brows, slightly square jaw, real under-eye softness and sturdy shoulders, hips and legs. Opaque pale stone-gray travel dress with elbow movement panels, walking pleats and practical low boots; ordinary wedding ring and intact jade bangle. Her own plain 24×18×8cm dark leather bag stays fastened at her waist; uninjured, hidden leadership undisclosed. Initially right grips collar/left free; visibly releases right and steps, later left fingers held and palm at his chest; waist bag always her own. Fixed voice: Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering. Cassian, a 26-year-old adult man, the same identity as an autonomous wealthy complete six-limbed black dragon; human short dark-brown hair, thick brows, broad nose root and young broad jaw, broad shoulders, substantial neck and palms. Fine matte black diagonal-front wool coat, soft white shirt, black trousers and practical boots, ordinary wedding ring; the same narrow sea-indigo-gray handmade shoulder/neck lining corner, private front embroidery buttoned out of view. Only a thin dry dressing remains over the old left-palm injury, allowing ordinary carrying without fresh blood or a permanent support. Five fingers, ordinary pupils, no horns, scales or transformation here; the later back injury has not happened. Initially right carries same case; visibly transfers left before free right takes her left; thin left dressing permits ordinary load. Fixed voice: Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect.

【Setting】Day in Gray Harbor inn stair landing to portico; salt-white walls, sea-blue wooden windows, coarse awning outside, a stable side step at waiting area. Release collar and begin descending on landing; an actual cut omits ordinary stair travel before the final portico step, never inside a take.

【Props】Same P36.05 case initially in his right then transferred left; her own bag fastened at waist. Papers remain inside, case not set down and her hand not yet on chest.

【Transitions】Establish listed setting at explicit cut; do not replay completed actions.

【Spatial anchors】Stair axis links landing and same-window portico; she stays on his right, roughly 1m from waiting-car door.

【Blocking】Initially her right grips collar and left is free; his right carries case and left is free. She releases and steps; after catching up he transfers case left, takes her left fingers with free right, then brings her left palm to his chest.

【Camera and movement】Full bodies on landing: her right releases his collar, first descending footstep and case still in his right.; Fixed side view keeps collar release and actual first step visible; portico continuation follows a real cut. -> Final real portico stair, her leading step and his final catch-up step with the same right-held case; feet, ground and 1m route to car.; After a real cut omitting routine mid-descent, track 40cm alongside only the last portico step, landing as she stops before his hand contact. -> Waist-to-chest contact view: same case handle transfers his right to left, free right takes her empty left fingers; faces only at lower-jaw edge, no demanded eye reading.; Lock hands and case handle so a facial close-up cannot hide the weight transfer. -> His earnest eyes and mouth with her near eyeline and adjoining shoulders; handhold and left-held case remain offscreen.; Push in 12cm as he waits for her eyes, landing on the admission beyond being a husband on paper without stealing her response. -> His right guides her left palm from between them onto his clothed chest; case remains supported offscreen in left; one clear palm contact.; Hold the contact so her palm travels from clear to firmly resting; heartbeat is not a light or anatomical overlay. -> His candid eyes and mouth and her near listening face; one chest contact may touch lower frame, with left-held case offscreen.; Keep their shared near distance rather than substituting an imagined desire montage.

【Initial physical state】Both still stand close on landing; her right remains at his collar, case in his right, no handhold yet.

【Lighting】Morning window sidelight and real slow awning shadows, readable faces without magical light.

【Style】Native 9:16 photoreal live-action romantic fantasy with natural skin and real cloth, wood and copper weight. Clear eyes, mouths, contacts, support and destinations. No dark fog, afterimages or floating objects.

【Audio and picture locks】Same case visibly transfers right→left; thin left dressing gains no blood. Her right is free after collar release, his right holds only her left; no early chest contact or set-down.

cn picture + English dialogue

【视频编号E46-G01｜先牵住，再说喜欢】
【本组时长】27.5秒
【目标模型】Seedance 2.5
【出场人物】莉拉，24岁成年女性人类；栗黑发束后，平直眉、略方下颌与真实眼下软组织，肩背腿髋稳健。浅石灰不透明旅行裙，袖肘活动片、髋下行走开裥和低跟实靴；普通婚戒、完整翠玉镯；自己的24×18×8cm素深皮包扣挂本人腰侧，无新伤，不公开首领身份。 起右揪领左空；本组真实松右领开步，后左指被牵并贴他胸；腰包始终本人。 固定声线：成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷。
卡西安，26岁成年男性，与自主富有完整六肢黑龙同一身份；人形深棕短发、厚眉、宽鼻根和年轻宽下颌，宽肩厚颈大掌。高质哑黑斜襟羊毛外衣、白软内衫、黑裤实靴、普通婚戒；海靛灰亲缝肩颈软衬只露同一窄领角，私人前襟刺绣扣隐。左掌仅原伤后的薄干包布，能正常提物，无新血或永久支具；五指、普通瞳孔，本场不出角鳞、不化龙，背伤尚未发生。 起右提同箱，真实换左后才空右牵她左，左薄布正常承重。 固定声线：年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑。
【场景】日内灰港驿馆楼梯平台通门廊；盐白墙、海青木窗、外栏粗麻帆，候车门廊有侧边稳台阶。先从平台松领开步，再真切省普通下楼路，接门廊最后一步；不在同take藏下楼。
【道具】P36.05同一旅箱先男右提，随后换左；她腰包扣好。其余文书仍包内，箱未放地、手未贴胸。
【场景过渡】本组首次建立列明空间，按明确切点进入；不重复此前已完成动作。
【空间锚点 Spatial Anchor】平台到同海窗门廊为下楼轴；她在男右侧、离候车门约1m。
【角色站位】起她右揪领、左空，他右箱左空；先松右领开步。他追上后实换左箱，空右牵她左指，再带她左掌到胸。
【预演机位与场内移动】楼梯平台二人全身、她右指从男领松开、下楼第一踏与男右提箱同窗。；固定平台侧宽镜，让松领和真实第一踏都发生在画内，追随留给实际切后的门廊。 → 门廊最后一级实阶、她前一步/男右提同箱追最后一步，二人足地与1m候车路。；真实切省普通下楼中程；侧移40cm只伴门廊末一步，落她刚停而男未接手。 → 两腰至胸、同旅箱把由男右到左承重，男空右接妻空左指；脸只下颌边不强读眼。；锁手与箱把，不用脸近景遮掉实际交重。 → 男认真眼口与妻近侧眼线、相邻肩，牵手和左箱画外保持。；从他仍等她眼睛起前推12cm，落more than your husband on paper的真坦白，不抢她反应。 → 男右托妻左掌从二人间移到自己胸前布面，左箱画外仍承重；只有这一处手掌接触。；固定近接触让她掌从未贴到贴稳完整走完，心跳不画成光或胸腔图。 → 男坦诚眼口、妻近侧脸听见，胸前相触手可在画下边只见一处，不见左箱。；保同一近距两人，不用欲望蒙太奇替代他当面承认。
【初始物理状态】平台两人仍近身停；妻右领未松，箱仍他右，双方未牵手。
【统一光影】晨海窗侧光和真实帆影缓移，脸可读，非魔光。
【风格提示词】原生9:16写实真人浪漫奇幻，保自然皮肤、布木铜重量；眼口、接触点、身体支撑与去向清楚。无黑雾残影或悬浮物。
【声音与画面硬锁】同箱右→左实体交重，左薄布不出新血；妻右松领后自由，男右只牵妻左；无胸前手或落箱提前。

0.0—3.0秒：
楼梯平台二人全身、她右指从男领松开、下楼第一踏与男右提箱同窗。
真实切镜进入本机位。她右指松开同一领口，转身踏下第一阶；他仍右提同箱，转肩开始跟。
画面表演：问后等待他回答。
运镜：固定平台侧宽镜，让松领和真实第一踏都发生在画内，追随留给实际切后的门廊。
声音：真鞋阶声与箱皮轻响。

3.0—6.0秒：
门廊最后一级实阶、她前一步/男右提同箱追最后一步，二人足地与1m候车路。
真实切镜进入本机位。真实切已过普通下楼中程，她在门廊迈最后一步，他右提同箱追到身旁；她看他停步。
画面表演：他终于跟上认真问题。
运镜：真实切省普通下楼中程；侧移40cm只伴门廊末一步，落她刚停而男未接手。
声音：鞋底末踏实声。

6.0—9.0秒：
两腰至胸、同旅箱把由男右到左承重，男空右接妻空左指；脸只下颌边不强读眼。
真实切镜进入本机位。他左手握住同箱把接全重，右指松离箱把，再以空右掌轻接她左指；她停着接受。
画面表演：选择接触不攥控。
运镜：锁手与箱把，不用脸近景遮掉实际交重。
声音：箱把皮革交重声。

9.0—11.0秒：
男认真眼口与妻近侧眼线、相邻肩，牵手和左箱画外保持。
真实切镜进入本机位。他看她，先说没错、喜欢她，不笑着掩饰。
画面表演：认真可被拒绝。
运镜：从他仍等她眼睛起前推12cm，落more than your husband on paper的真坦白，不抢她反应。
声音：英语现场口型。
读法：卡西安；年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑；停稳后直视她，真承认，不借笑绕开；约129词/分，重like与more，末句落稳；不用气声拖长；现场开口说：“Yes. I like you.”

11.0—15.5秒：
男认真眼口与妻近侧眼线、相邻肩，牵手和左箱画外保持。
同一take继续，不切镜。他续说不想只做婚契上的丈夫，目光不离她。
画面表演：不绕话。
运镜：从他仍等她眼睛起前推12cm，落more than your husband on paper的真坦白，不抢她反应。
声音：英语现场口型。
读法：卡西安；年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑；停稳后直视她，真承认，不借笑绕开；约129词/分，重like与more，末句落稳；不用气声拖长；现场开口说：“I want to be more than your husband on paper.”

15.5—18.5秒：
男右托妻左掌从二人间移到自己胸前布面，左箱画外仍承重；只有这一处手掌接触。
真实切镜进入本机位。他右手托她左掌抬到自己衣襟胸前，让掌根贴稳；她手指自然放松，不再向外抽。
画面表演：亲密被她接受。
运镜：固定近接触让她掌从未贴到贴稳完整走完，心跳不画成光或胸腔图。
声音：衣料轻触；心跳仅真实低幅近接触主观声，不配魔音。

18.5—22.5秒：
男坦诚眼口、妻近侧脸听见，胸前相触手可在画下边只见一处，不见左箱。
真实切镜进入本机位。他先说会吃醋、会想吻她，未真前扑索吻。
画面表演：直白但留她选择。
运镜：保同一近距两人，不用欲望蒙太奇替代他当面承认。
声音：英语现场。
读法：卡西安；年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑；手仍贴胸，以坦诚的欲望列举自己，不对她索吻；约133词/分，三个意群间自然短停，轻笑只末意；现场开口说：“I get jealous. I want to kiss you.”

22.5—27.5秒：
男坦诚眼口、妻近侧脸听见，胸前相触手可在画下边只见一处，不见左箱。
同一take继续，不切镜。他接说看她挡别人能高兴整夜，末眼角才轻松一点。
画面表演：真喜悦不占有她。
运镜：保同一近距两人，不用欲望蒙太奇替代他当面承认。
声音：英语现场。
读法：卡西安；年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑；手仍贴胸，以坦诚的欲望列举自己，不对她索吻；约133词/分，三个意群间自然短停，轻笑只末意；现场开口说：“Watching you shut someone else out can keep me happy all night.”

en picture + English dialogue

【Video E46-G01 | Take her hand, then admit it】
【Duration】27.5 seconds
【Target model】Seedance 2.5
【Cast and voice sources】Lila, a 24-year-old adult human woman with secured chestnut-black hair, straight brows, slightly square jaw, real under-eye softness and sturdy shoulders, hips and legs. Opaque pale stone-gray travel dress with elbow movement panels, walking pleats and practical low boots; ordinary wedding ring and intact jade bangle. Her own plain 24×18×8cm dark leather bag stays fastened at her waist; uninjured, hidden leadership undisclosed. Initially right grips collar/left free; visibly releases right and steps, later left fingers held and palm at his chest; waist bag always her own. Fixed voice: Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering.
Cassian, a 26-year-old adult man, the same identity as an autonomous wealthy complete six-limbed black dragon; human short dark-brown hair, thick brows, broad nose root and young broad jaw, broad shoulders, substantial neck and palms. Fine matte black diagonal-front wool coat, soft white shirt, black trousers and practical boots, ordinary wedding ring; the same narrow sea-indigo-gray handmade shoulder/neck lining corner, private front embroidery buttoned out of view. Only a thin dry dressing remains over the old left-palm injury, allowing ordinary carrying without fresh blood or a permanent support. Five fingers, ordinary pupils, no horns, scales or transformation here; the later back injury has not happened. Initially right carries same case; visibly transfers left before free right takes her left; thin left dressing permits ordinary load. Fixed voice: Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect.
【Setting】Day in Gray Harbor inn stair landing to portico; salt-white walls, sea-blue wooden windows, coarse awning outside, a stable side step at waiting area. Release collar and begin descending on landing; an actual cut omits ordinary stair travel before the final portico step, never inside a take.
【Props】Same P36.05 case initially in his right then transferred left; her own bag fastened at waist. Papers remain inside, case not set down and her hand not yet on chest.
【Transitions】Establish listed setting at explicit cut; do not replay completed actions.
【Spatial anchors】Stair axis links landing and same-window portico; she stays on his right, roughly 1m from waiting-car door.
【Blocking】Initially her right grips collar and left is free; his right carries case and left is free. She releases and steps; after catching up he transfers case left, takes her left fingers with free right, then brings her left palm to his chest.
【Camera and movement】Full bodies on landing: her right releases his collar, first descending footstep and case still in his right.; Fixed side view keeps collar release and actual first step visible; portico continuation follows a real cut. -> Final real portico stair, her leading step and his final catch-up step with the same right-held case; feet, ground and 1m route to car.; After a real cut omitting routine mid-descent, track 40cm alongside only the last portico step, landing as she stops before his hand contact. -> Waist-to-chest contact view: same case handle transfers his right to left, free right takes her empty left fingers; faces only at lower-jaw edge, no demanded eye reading.; Lock hands and case handle so a facial close-up cannot hide the weight transfer. -> His earnest eyes and mouth with her near eyeline and adjoining shoulders; handhold and left-held case remain offscreen.; Push in 12cm as he waits for her eyes, landing on the admission beyond being a husband on paper without stealing her response. -> His right guides her left palm from between them onto his clothed chest; case remains supported offscreen in left; one clear palm contact.; Hold the contact so her palm travels from clear to firmly resting; heartbeat is not a light or anatomical overlay. -> His candid eyes and mouth and her near listening face; one chest contact may touch lower frame, with left-held case offscreen.; Keep their shared near distance rather than substituting an imagined desire montage.
【Initial physical state】Both still stand close on landing; her right remains at his collar, case in his right, no handhold yet.
【Lighting】Morning window sidelight and real slow awning shadows, readable faces without magical light.
【Style】Native 9:16 photoreal live-action romantic fantasy with natural skin and real cloth, wood and copper weight. Clear eyes, mouths, contacts, support and destinations. No dark fog, afterimages or floating objects.
【Audio and picture locks】Same case visibly transfers right→left; thin left dressing gains no blood. Her right is free after collar release, his right holds only her left; no early chest contact or set-down.

0.0—3.0 seconds:
Full bodies on landing: her right releases his collar, first descending footstep and case still in his right.
Real cut into this viewpoint. She releases the same collar with right fingers, turns and steps down the first stair; he turns to follow, still carrying the same case in right.
Visible performance: She leaves room for an answer.
Camera: Fixed side view keeps collar release and actual first step visible; portico continuation follows a real cut.
Sound: Real boot-on-stair and leather movement.

3.0—6.0 seconds:
Final real portico stair, her leading step and his final catch-up step with the same right-held case; feet, ground and 1m route to car.
Real cut into this viewpoint. A real cut has omitted ordinary mid-descent; she takes the last portico step and he catches her at the side with the same right-held case; she looks at him and stops.
Visible performance: He catches up to her serious question.
Camera: After a real cut omitting routine mid-descent, track 40cm alongside only the last portico step, landing as she stops before his hand contact.
Sound: Real final footfalls.

6.0—9.0 seconds:
Waist-to-chest contact view: same case handle transfers his right to left, free right takes her empty left fingers; faces only at lower-jaw edge, no demanded eye reading.
Real cut into this viewpoint. His left takes the same case handle and its full weight; right fingers release it, then his free right gently takes her left fingers; she stays and accepts.
Visible performance: Chosen contact, not restraint.
Camera: Lock hands and case handle so a facial close-up cannot hide the weight transfer.
Sound: Leather handle under transferred load.

9.0—11.0 seconds:
His earnest eyes and mouth with her near eyeline and adjoining shoulders; handhold and left-held case remain offscreen.
Real cut into this viewpoint. He meets her gaze and admits that yes, he likes her, without hiding in laughter.
Visible performance: Sincere and open to refusal.
Camera: Push in 12cm as he waits for her eyes, landing on the admission beyond being a husband on paper without stealing her response.
Sound: English spoken on camera.
Delivery: Cassian; Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect; Meet her eyes once both stop; admit it directly without a joking escape; About 129 wpm; stress like and more, ground the ending without breathy stretching; live onscreen says: "Yes. I like you."

11.0—15.5 seconds:
His earnest eyes and mouth with her near eyeline and adjoining shoulders; handhold and left-held case remain offscreen.
Same take continues without a cut. He continues that he wants more than being her husband on paper, keeping his eyes on her.
Visible performance: No evasion.
Camera: Push in 12cm as he waits for her eyes, landing on the admission beyond being a husband on paper without stealing her response.
Sound: English spoken on camera.
Delivery: Cassian; Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect; Meet her eyes once both stop; admit it directly without a joking escape; About 129 wpm; stress like and more, ground the ending without breathy stretching; live onscreen says: "I want to be more than your husband on paper."

15.5—18.5 seconds:
His right guides her left palm from between them onto his clothed chest; case remains supported offscreen in left; one clear palm contact.
Real cut into this viewpoint. His right guides her left palm up to his clothed chest and lets its heel settle; her fingers relax naturally without pulling away.
Visible performance: She accepts intimacy.
Camera: Hold the contact so her palm travels from clear to firmly resting; heartbeat is not a light or anatomical overlay.
Sound: Soft cloth contact; a subtle natural subjective pulse, no magical sound.

18.5—22.5 seconds:
His candid eyes and mouth and her near listening face; one chest contact may touch lower frame, with left-held case offscreen.
Real cut into this viewpoint. He admits jealousy and wanting to kiss her without lunging for one.
Visible performance: Direct while leaving her choice.
Camera: Keep their shared near distance rather than substituting an imagined desire montage.
Sound: On-camera English.
Delivery: Cassian; Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect; Keep her hand at his chest; list his own desire honestly without demanding a kiss; About 133 wpm; short natural breaks between three thoughts, warmth only at the last; live onscreen says: "I get jealous. I want to kiss you."

22.5—27.5 seconds:
His candid eyes and mouth and her near listening face; one chest contact may touch lower frame, with left-held case offscreen.
Same take continues without a cut. He adds that seeing her shut someone else out can keep him happy all night; only then does his eye corner soften.
Visible performance: Real pleasure without possession.
Camera: Keep their shared near distance rather than substituting an imagined desire montage.
Sound: On-camera English.
Delivery: Cassian; Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect; Keep her hand at his chest; list his own desire honestly without demanding a kiss; About 133 wpm; short natural breaks between three thoughts, warmth only at the last; live onscreen says: "Watching you shut someone else out can keep me happy all night."

【Lens Group E46-G02｜她要时间，也要他回来】

【本组时长】26.0秒

【目标模型】Seedance 2.5

【出场人物】莉拉，24岁成年女性人类；栗黑发束后，平直眉、略方下颌与真实眼下软组织，肩背腿髋稳健。浅石灰不透明旅行裙，袖肘活动片、髋下行走开裥和低跟实靴；普通婚戒、完整翠玉镯；自己的24×18×8cm素深皮包扣挂本人腰侧，无新伤，不公开首领身份。 左手持续贴他胸被右手牵，右手空；轻吻只一次，答要时间，末转车门未登。 固定声线：成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷。 卡西安，26岁成年男性，与自主富有完整六肢黑龙同一身份；人形深棕短发、厚眉、宽鼻根和年轻宽下颌，宽肩厚颈大掌。高质哑黑斜襟羊毛外衣、白软内衫、黑裤实靴、普通婚戒；海靛灰亲缝肩颈软衬只露同一窄领角，私人前襟刺绣扣隐。左掌仅原伤后的薄干包布，能正常提物，无新血或永久支具；五指、普通瞳孔，本场不出角鳞、不化龙，背伤尚未发生。 起左提箱，真放阶后左空；右牵妻左，吻后略握紧，问后听完不追。 固定声线：年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑。 侍役，无名成年男性，整齐短发、灰蓝短服务衣、白内领、深灰长裤、黑实靴；起空手在车门旁，末左手提同一旅箱、右手拉开门，不说话。

【场景】日内同灰港门廊，侧边石阶可稳放同箱，车门在二人旁1m；本组末侍役才提箱开门。

【道具】旅箱仍男左直到真实放侧阶；妻左掌仍男胸前、男右覆，妻腰包扣好。侍役空手等车门旁。

【场景过渡】本组首次建立列明空间，按明确切点进入；不重复此前已完成动作。

【空间锚点 Spatial Anchor】夫妻同向候车门，妻男右侧；侧阶在男左后半步，不占车阶。

【角色站位】男左放箱后空，右仍牵她左；她轻吻后手未抽，侍役末左取箱承重、右拉车门。

【预演机位与场内移动】男左身侧旅箱到侧阶全底落稳、手离把；夫妻双脚及胸前右牵左的持续接触。；固定全身保箱底落阶与左指释放，不把卸载藏进脸。 → 她看他的眼口近景，左掌胸前接触在画外保持，不新增点头许诺。；短答留在她脸上，不用男反应覆盖她主动接住。 → 两人近侧头肩与妻左掌在男胸前；她抬颌、他略低颌，真实单次唇角接触后分离。；两脸同一近距不切，必须见接近、触唇角和分离，吻不靠遮挡推断。 → 男右指轻收她左指，胸前一处牵手，不加痛掐或新爪。；固定接触保她掌未抽离，收紧很小而可见，不用镜头震动替力。 → 男认真问句眼口、妻近侧听见；二人掌在低画外，箱在侧阶不入近景。；吻后机位不急着煽情前推，让他直接承担问句。 → 她答话的眼口为近处主体，男半侧安静听；胸前牵手持续画外。；以她从坦白经历到明确要时间为触发，缓推8cm落最后leave，男保持听不抢答。 → 男听完的眼口与她近侧边，牵手持续画外，张口不再追问。；留一个短的真实听完，不添点头台词或替她作决定。 → 侍役左手从侧阶真提同箱、右手拉开车门，门扇避开二级阶；夫妇近旁尚未登车。；固定车侧全身和开门弧，不省箱承重与门实际开到位。

【初始物理状态】妻左掌贴胸、男右覆，左箱仍男提，双方立稳未吻。

【统一光影】门廊晨侧光，唇角和眼清楚，外车帘阴影不盖嘴。

【风格提示词】原生9:16写实真人浪漫奇幻，保自然皮肤、布木铜重量；眼口、接触点、身体支撑与去向清楚。无黑雾残影或悬浮物。

【声音与画面硬锁】吻只一次唇角，非替一年以后答永留；箱落稳才松把，侍役真提同箱。

【Lens Group E46-G02｜Time to choose, and dinner tonight】

【Duration】26.0 seconds

【Target model】Seedance 2.5

【Cast and voice sources】Lila, a 24-year-old adult human woman with secured chestnut-black hair, straight brows, slightly square jaw, real under-eye softness and sturdy shoulders, hips and legs. Opaque pale stone-gray travel dress with elbow movement panels, walking pleats and practical low boots; ordinary wedding ring and intact jade bangle. Her own plain 24×18×8cm dark leather bag stays fastened at her waist; uninjured, hidden leadership undisclosed. Left remains at his chest held by his right, right free; one brief kiss then asks for time, finally turns to car without boarding yet. Fixed voice: Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering. Cassian, a 26-year-old adult man, the same identity as an autonomous wealthy complete six-limbed black dragon; human short dark-brown hair, thick brows, broad nose root and young broad jaw, broad shoulders, substantial neck and palms. Fine matte black diagonal-front wool coat, soft white shirt, black trousers and practical boots, ordinary wedding ring; the same narrow sea-indigo-gray handmade shoulder/neck lining corner, private front embroidery buttoned out of view. Only a thin dry dressing remains over the old left-palm injury, allowing ordinary carrying without fresh blood or a permanent support. Five fingers, ordinary pupils, no horns, scales or transformation here; the later back injury has not happened. Initially case in left; sets it on side step then left free. Right holds her left, gently tightens after kiss, listens without another question. Fixed voice: Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect. Attendant, unnamed adult man with neat short hair, gray-blue short service coat, white inner collar and dark-gray trousers and black practical boots; initially empty-handed at car door, finally lifts same case in left/opens door with right, silent.

【Setting】Day in the same Gray Harbor portico; side stone step supports case, car door 1m alongside; attendant picks case up and opens door only at the end.

【Props】Case stays in his left until actually placed on side step; her left still on his chest under his right, waist bag fastened. Attendant waits empty-handed beside car door.

【Transitions】Establish listed setting at explicit cut; do not replay completed actions.

【Spatial anchors】Couple faces waiting car with wife on his right; side step half a step behind his left, clear of boarding stairs.

【Blocking】After left sets case down it is free; right still holds her left. Her hand stays through a brief kiss; at end attendant left takes case weight/right opens car door.

【Camera and movement】Case travels from his left side to side step, whole base settles before handle release; both planted feet and continuing his-right/her-left chest contact.; Hold full body so case base settles and left fingers release without hiding unloading in a face shot. -> Close on her eyes and mouth looking at him, her left chest contact held offscreen; no added nod promising forever.; Keep the brief reply on her face so his reaction cannot cover her choice to receive it. -> Near two-shot of heads and shoulders and her left palm at his chest; her chin lifts as he lowers slightly, one real lip-corner kiss then separation.; Keep both faces at one near distance without cutting; show approach, lip-corner contact and separation rather than implying a hidden kiss. -> His right fingers gently close around her left fingers at chest, one handhold without painful gripping or claws.; Hold contact with her palm still there; make the small tightening visible without camera shake as force. -> His earnest questioning eyes and mouth, her near listening profile; hands below frame, case stays on side step outside close view.; No sudden romantic push after the kiss; let him carry the question directly. -> Her speaking eyes and mouth foreground, his half-profile quietly listening; chest handhold continues offscreen.; Push in a slow 8cm from her admission of experience toward her request for time, landing on leave while he listens without interruption. -> His eyes and mouth after hearing her, her near edge, handhold maintained offscreen; no renewed question.; Allow a short genuine listening beat without added words or deciding for her. -> Attendant visibly lifts same case off side step in left and opens car door with right, leaf clear of two boarding steps; couple nearby not yet boarding.; Hold full body beside car and door arc, showing case load and door reaching its open stop.

【Initial physical state】Her left palm at chest under his right, case still his left, both planted and no kiss yet.

【Lighting】Morning sidelight in portico, clear eyes and lip corner without car-curtain shadow covering mouth.

【Style】Native 9:16 photoreal live-action romantic fantasy with natural skin and real cloth, wood and copper weight. Clear eyes, mouths, contacts, support and destinations. No dark fog, afterimages or floating objects.

【Audio and picture locks】Only one lip-corner kiss, no promise to stay forever; release handle only after case rests, attendant actually lifts same case.

cn picture + English dialogue

【视频编号E46-G02｜她要时间，也要他回来】
【本组时长】26.0秒
【目标模型】Seedance 2.5
【出场人物】莉拉，24岁成年女性人类；栗黑发束后，平直眉、略方下颌与真实眼下软组织，肩背腿髋稳健。浅石灰不透明旅行裙，袖肘活动片、髋下行走开裥和低跟实靴；普通婚戒、完整翠玉镯；自己的24×18×8cm素深皮包扣挂本人腰侧，无新伤，不公开首领身份。 左手持续贴他胸被右手牵，右手空；轻吻只一次，答要时间，末转车门未登。 固定声线：成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷。
卡西安，26岁成年男性，与自主富有完整六肢黑龙同一身份；人形深棕短发、厚眉、宽鼻根和年轻宽下颌，宽肩厚颈大掌。高质哑黑斜襟羊毛外衣、白软内衫、黑裤实靴、普通婚戒；海靛灰亲缝肩颈软衬只露同一窄领角，私人前襟刺绣扣隐。左掌仅原伤后的薄干包布，能正常提物，无新血或永久支具；五指、普通瞳孔，本场不出角鳞、不化龙，背伤尚未发生。 起左提箱，真放阶后左空；右牵妻左，吻后略握紧，问后听完不追。 固定声线：年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑。
侍役，无名成年男性，整齐短发、灰蓝短服务衣、白内领、深灰长裤、黑实靴；起空手在车门旁，末左手提同一旅箱、右手拉开门，不说话。
【场景】日内同灰港门廊，侧边石阶可稳放同箱，车门在二人旁1m；本组末侍役才提箱开门。
【道具】旅箱仍男左直到真实放侧阶；妻左掌仍男胸前、男右覆，妻腰包扣好。侍役空手等车门旁。
【场景过渡】本组首次建立列明空间，按明确切点进入；不重复此前已完成动作。
【空间锚点 Spatial Anchor】夫妻同向候车门，妻男右侧；侧阶在男左后半步，不占车阶。
【角色站位】男左放箱后空，右仍牵她左；她轻吻后手未抽，侍役末左取箱承重、右拉车门。
【预演机位与场内移动】男左身侧旅箱到侧阶全底落稳、手离把；夫妻双脚及胸前右牵左的持续接触。；固定全身保箱底落阶与左指释放，不把卸载藏进脸。 → 她看他的眼口近景，左掌胸前接触在画外保持，不新增点头许诺。；短答留在她脸上，不用男反应覆盖她主动接住。 → 两人近侧头肩与妻左掌在男胸前；她抬颌、他略低颌，真实单次唇角接触后分离。；两脸同一近距不切，必须见接近、触唇角和分离，吻不靠遮挡推断。 → 男右指轻收她左指，胸前一处牵手，不加痛掐或新爪。；固定接触保她掌未抽离，收紧很小而可见，不用镜头震动替力。 → 男认真问句眼口、妻近侧听见；二人掌在低画外，箱在侧阶不入近景。；吻后机位不急着煽情前推，让他直接承担问句。 → 她答话的眼口为近处主体，男半侧安静听；胸前牵手持续画外。；以她从坦白经历到明确要时间为触发，缓推8cm落最后leave，男保持听不抢答。 → 男听完的眼口与她近侧边，牵手持续画外，张口不再追问。；留一个短的真实听完，不添点头台词或替她作决定。 → 侍役左手从侧阶真提同箱、右手拉开车门，门扇避开二级阶；夫妇近旁尚未登车。；固定车侧全身和开门弧，不省箱承重与门实际开到位。
【初始物理状态】妻左掌贴胸、男右覆，左箱仍男提，双方立稳未吻。
【统一光影】门廊晨侧光，唇角和眼清楚，外车帘阴影不盖嘴。
【风格提示词】原生9:16写实真人浪漫奇幻，保自然皮肤、布木铜重量；眼口、接触点、身体支撑与去向清楚。无黑雾残影或悬浮物。
【声音与画面硬锁】吻只一次唇角，非替一年以后答永留；箱落稳才松把，侍役真提同箱。

0.0—2.5秒：
男左身侧旅箱到侧阶全底落稳、手离把；夫妻双脚及胸前右牵左的持续接触。
真实切镜进入本机位。他屈膝将左提同箱全底放在侧阶，稳后松把；她看他，左掌没有从胸前抽走。
画面表演：卸下防备。
运镜：固定全身保箱底落阶与左指释放，不把卸载藏进脸。
声音：箱底真实轻落石阶。

2.5—4.0秒：
她看他的眼口近景，左掌胸前接触在画外保持，不新增点头许诺。
真实切镜进入本机位。她看他说知道了，手不抽开。
画面表演：平稳接纳。
运镜：短答留在她脸上，不用男反应覆盖她主动接住。
声音：英语现场。
读法：莉拉；成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷；看他，接住坦白，不抽手也不替一年以后许诺；两词1.5秒，平稳短答，尾音干净；现场开口说：“I know.”

4.0—7.0秒：
两人近侧头肩与妻左掌在男胸前；她抬颌、他略低颌，真实单次唇角接触后分离。
真实切镜进入本机位。她抬颌靠近，他略低颌配合；她只吻一下他的唇角再分开，他短怔。
画面表演：她主动，惊喜真实。
运镜：两脸同一近距不切，必须见接近、触唇角和分离，吻不靠遮挡推断。
声音：衣料/短呼吸，无额外喘或词。

7.0—8.5秒：
男右指轻收她左指，胸前一处牵手，不加痛掐或新爪。
真实切镜进入本机位。他从短怔回神，右指轻收紧她左指，她不抽。
画面表演：想留住但仍留余地。
运镜：固定接触保她掌未抽离，收紧很小而可见，不用镜头震动替力。
声音：真实衣料轻触。

8.5—12.5秒：
男认真问句眼口、妻近侧听见；二人掌在低画外，箱在侧阶不入近景。
真实切镜进入本机位。他望她问一年以后留不留，身体不堵她去车门的路。
画面表演：认真而非索债。
运镜：吻后机位不急着煽情前推，让他直接承担问句。
声音：英语现场。
读法：卡西安；年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑；握紧刚被亲吻后的手，认真问，不逼退路；八词4秒约120词/分，问句末轻抬后收；现场开口说：“When the year is up, will you stay?”

12.5—17.0秒：
她答话的眼口为近处主体，男半侧安静听；胸前牵手持续画外。
真实切镜进入本机位。她说过去没有这样同人过日子，眼睛仍看他。
画面表演：诚实而不自卑。
运镜：以她从坦白经历到明确要时间为触发，缓推8cm落最后leave，男保持听不抢答。
声音：英语现场。
读法：莉拉；成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷；手不抽开，说自己的经历与所需时间，不宣誓永留；十八词8.5秒约127词/分，time重音，最后一句温和确定；现场开口说：“I've never shared a life with anyone like this.”

17.0—21.0秒：
她答话的眼口为近处主体，男半侧安静听；胸前牵手持续画外。
同一take继续，不切镜。她接要一点时间、并非让他走；左掌不抽。
画面表演：软而确定。
运镜：以她从坦白经历到明确要时间为触发，缓推8cm落最后leave，男保持听不抢答。
声音：英语现场。
读法：莉拉；成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷；手不抽开，说自己的经历与所需时间，不宣誓永留；十八词8.5秒约127词/分，time重音，最后一句温和确定；现场开口说：“Give me time. I'm not asking you to leave.”

21.0—22.5秒：
男听完的眼口与她近侧边，牵手持续画外，张口不再追问。
真实切镜进入本机位。他望她，呼吸放开一点，不再追问，右手仍轻握她左。
画面表演：愿意等。
运镜：留一个短的真实听完，不添点头台词或替她作决定。
声音：真实轻呼吸与门廊风。

22.5—26.0秒：
侍役左手从侧阶真提同箱、右手拉开车门，门扇避开二级阶；夫妇近旁尚未登车。
真实切镜进入本机位。侍役走近半步，左手握同箱把实提离阶，右手拉开车门到止点，门外二阶通净；夫妇保持牵手转向门。
画面表演：回应后行动。
运镜：固定车侧全身和开门弧，不省箱承重与门实际开到位。
声音：箱把交重、门轴真响。

en picture + English dialogue

【Video E46-G02 | Time to choose, and dinner tonight】
【Duration】26.0 seconds
【Target model】Seedance 2.5
【Cast and voice sources】Lila, a 24-year-old adult human woman with secured chestnut-black hair, straight brows, slightly square jaw, real under-eye softness and sturdy shoulders, hips and legs. Opaque pale stone-gray travel dress with elbow movement panels, walking pleats and practical low boots; ordinary wedding ring and intact jade bangle. Her own plain 24×18×8cm dark leather bag stays fastened at her waist; uninjured, hidden leadership undisclosed. Left remains at his chest held by his right, right free; one brief kiss then asks for time, finally turns to car without boarding yet. Fixed voice: Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering.
Cassian, a 26-year-old adult man, the same identity as an autonomous wealthy complete six-limbed black dragon; human short dark-brown hair, thick brows, broad nose root and young broad jaw, broad shoulders, substantial neck and palms. Fine matte black diagonal-front wool coat, soft white shirt, black trousers and practical boots, ordinary wedding ring; the same narrow sea-indigo-gray handmade shoulder/neck lining corner, private front embroidery buttoned out of view. Only a thin dry dressing remains over the old left-palm injury, allowing ordinary carrying without fresh blood or a permanent support. Five fingers, ordinary pupils, no horns, scales or transformation here; the later back injury has not happened. Initially case in left; sets it on side step then left free. Right holds her left, gently tightens after kiss, listens without another question. Fixed voice: Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect.
Attendant, unnamed adult man with neat short hair, gray-blue short service coat, white inner collar and dark-gray trousers and black practical boots; initially empty-handed at car door, finally lifts same case in left/opens door with right, silent.
【Setting】Day in the same Gray Harbor portico; side stone step supports case, car door 1m alongside; attendant picks case up and opens door only at the end.
【Props】Case stays in his left until actually placed on side step; her left still on his chest under his right, waist bag fastened. Attendant waits empty-handed beside car door.
【Transitions】Establish listed setting at explicit cut; do not replay completed actions.
【Spatial anchors】Couple faces waiting car with wife on his right; side step half a step behind his left, clear of boarding stairs.
【Blocking】After left sets case down it is free; right still holds her left. Her hand stays through a brief kiss; at end attendant left takes case weight/right opens car door.
【Camera and movement】Case travels from his left side to side step, whole base settles before handle release; both planted feet and continuing his-right/her-left chest contact.; Hold full body so case base settles and left fingers release without hiding unloading in a face shot. -> Close on her eyes and mouth looking at him, her left chest contact held offscreen; no added nod promising forever.; Keep the brief reply on her face so his reaction cannot cover her choice to receive it. -> Near two-shot of heads and shoulders and her left palm at his chest; her chin lifts as he lowers slightly, one real lip-corner kiss then separation.; Keep both faces at one near distance without cutting; show approach, lip-corner contact and separation rather than implying a hidden kiss. -> His right fingers gently close around her left fingers at chest, one handhold without painful gripping or claws.; Hold contact with her palm still there; make the small tightening visible without camera shake as force. -> His earnest questioning eyes and mouth, her near listening profile; hands below frame, case stays on side step outside close view.; No sudden romantic push after the kiss; let him carry the question directly. -> Her speaking eyes and mouth foreground, his half-profile quietly listening; chest handhold continues offscreen.; Push in a slow 8cm from her admission of experience toward her request for time, landing on leave while he listens without interruption. -> His eyes and mouth after hearing her, her near edge, handhold maintained offscreen; no renewed question.; Allow a short genuine listening beat without added words or deciding for her. -> Attendant visibly lifts same case off side step in left and opens car door with right, leaf clear of two boarding steps; couple nearby not yet boarding.; Hold full body beside car and door arc, showing case load and door reaching its open stop.
【Initial physical state】Her left palm at chest under his right, case still his left, both planted and no kiss yet.
【Lighting】Morning sidelight in portico, clear eyes and lip corner without car-curtain shadow covering mouth.
【Style】Native 9:16 photoreal live-action romantic fantasy with natural skin and real cloth, wood and copper weight. Clear eyes, mouths, contacts, support and destinations. No dark fog, afterimages or floating objects.
【Audio and picture locks】Only one lip-corner kiss, no promise to stay forever; release handle only after case rests, attendant actually lifts same case.

0.0—2.5 seconds:
Case travels from his left side to side step, whole base settles before handle release; both planted feet and continuing his-right/her-left chest contact.
Real cut into this viewpoint. He bends knees to place the left-held case flat on side step and releases only once stable; she looks at him without withdrawing her left palm.
Visible performance: Lowering his guard.
Camera: Hold full body so case base settles and left fingers release without hiding unloading in a face shot.
Sound: Real soft case-base contact on stone.

2.5—4.0 seconds:
Close on her eyes and mouth looking at him, her left chest contact held offscreen; no added nod promising forever.
Real cut into this viewpoint. She looks at him and says she knows, without withdrawing.
Visible performance: Steady reception.
Camera: Keep the brief reply on her face so his reaction cannot cover her choice to receive it.
Sound: On-camera English.
Delivery: Lila; Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering; Look at him and receive the admission; keep contact without promising next year; Two words over 1.5 seconds, a steady brief reply with a clean ending; live onscreen says: "I know."

4.0—7.0 seconds:
Near two-shot of heads and shoulders and her left palm at his chest; her chin lifts as he lowers slightly, one real lip-corner kiss then separation.
Real cut into this viewpoint. She lifts her chin and approaches; he lowers his chin slightly. She kisses one lip corner once and separates; he pauses, startled.
Visible performance: Her initiative, his genuine surprise.
Camera: Keep both faces at one near distance without cutting; show approach, lip-corner contact and separation rather than implying a hidden kiss.
Sound: Cloth and brief breath, no added panting or words.

7.0—8.5 seconds:
His right fingers gently close around her left fingers at chest, one handhold without painful gripping or claws.
Real cut into this viewpoint. He returns from the brief pause and gently tightens right fingers around her left; she does not pull away.
Visible performance: Wanting her to stay while leaving room.
Camera: Hold contact with her palm still there; make the small tightening visible without camera shake as force.
Sound: Real cloth contact.

8.5—12.5 seconds:
His earnest questioning eyes and mouth, her near listening profile; hands below frame, case stays on side step outside close view.
Real cut into this viewpoint. He looks at her and asks whether she will stay after the year, without blocking her route to car.
Visible performance: Serious, not collecting a debt.
Camera: No sudden romantic push after the kiss; let him carry the question directly.
Sound: On-camera English.
Delivery: Cassian; Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect; Keep the gently tightened handhold after her kiss; ask sincerely without blocking her exit; Eight words in four seconds/about 120 wpm, a slight question lift then settle; live onscreen says: "When the year is up, will you stay?"

12.5—17.0 seconds:
Her speaking eyes and mouth foreground, his half-profile quietly listening; chest handhold continues offscreen.
Real cut into this viewpoint. She says she has never shared a life like this, continuing to meet his eyes.
Visible performance: Honest without shrinking.
Camera: Push in a slow 8cm from her admission of experience toward her request for time, landing on leave while he listens without interruption.
Sound: On-camera English.
Delivery: Lila; Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering; Keep her hand there; state her experience and need for time without swearing to stay forever; Eighteen words in 8.5 seconds/about 127 wpm; stress time, make the final sentence gently definite; live onscreen says: "I've never shared a life with anyone like this."

17.0—21.0 seconds:
Her speaking eyes and mouth foreground, his half-profile quietly listening; chest handhold continues offscreen.
Same take continues without a cut. She asks for time and makes clear she is not asking him to leave; her left palm stays.
Visible performance: Soft and definite.
Camera: Push in a slow 8cm from her admission of experience toward her request for time, landing on leave while he listens without interruption.
Sound: On-camera English.
Delivery: Lila; Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering; Keep her hand there; state her experience and need for time without swearing to stay forever; Eighteen words in 8.5 seconds/about 127 wpm; stress time, make the final sentence gently definite; live onscreen says: "Give me time. I'm not asking you to leave."

21.0—22.5 seconds:
His eyes and mouth after hearing her, her near edge, handhold maintained offscreen; no renewed question.
Real cut into this viewpoint. He looks at her and lets his breath ease, asking nothing more, right still lightly holding her left.
Visible performance: Willing to wait.
Camera: Allow a short genuine listening beat without added words or deciding for her.
Sound: Natural light breath and portico air.

22.5—26.0 seconds:
Attendant visibly lifts same case off side step in left and opens car door with right, leaf clear of two boarding steps; couple nearby not yet boarding.
Real cut into this viewpoint. Attendant steps half a pace, takes case handle with left and lifts it clear, then opens car door to stop with right, leaving both boarding steps clear; couple turn toward it while holding hands.
Visible performance: Action after accepting her answer.
Camera: Hold full body beside car and door arc, showing case load and door reaching its open stop.
Sound: Case handle under load and real hinge.

【Lens Group E46-G03｜主动上车，再摊开她的生意】

【本组时长】29.0秒

【目标模型】Seedance 2.5

【出场人物】莉拉，24岁成年女性人类；栗黑发束后，平直眉、略方下颌与真实眼下软组织，肩背腿髋稳健。浅石灰不透明旅行裙，袖肘活动片、髋下行走开裥和低跟实靴；普通婚戒、完整翠玉镯；自己的24×18×8cm素深皮包扣挂本人腰侧，无新伤，不公开首领身份。 主动左牵他右，空右扶栏实登坐近门右座；后空右从本人腰包取薄夹到膝，原契样急单展开。 固定声线：成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷。 卡西安，26岁成年男性，与自主富有完整六肢黑龙同一身份；人形深棕短发、厚眉、宽鼻根和年轻宽下颌，宽肩厚颈大掌。高质哑黑斜襟羊毛外衣、白软内衫、黑裤实靴、普通婚戒；海靛灰亲缝肩颈软衬只露同一窄领角，私人前襟刺绣扣隐。左掌仅原伤后的薄干包布，能正常提物，无新血或永久支具；五指、普通瞳孔，本场不出角鳞、不化龙，背伤尚未发生。 右牵妻左持续，空左扶栏实登到左邻座；左薄布可扶栏，不添新血，纸面未签。 固定声线：年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑。 同一无名成年侍役，整齐短发、灰蓝短服务衣白内领深灰长裤、黑实靴；起左提同箱右门开，车门抵止点后右可松门，男登车时在画后将同箱全底放稳外侧行李架并松手；普通扣带/关门/起车随后真实时间切省略，无对白。

【场景】同门廊王室深黑木马车，暗金一徽、墨蓝软垫、手拉浅帘小窗；净宽1.6m深1.8m，门外二级实阶与磨亮扶手。她先上近门右座，他后入左邻座；真实切省普通扣箱、关门、起车，行车小颠与窗景再出现。

【道具】她包腰侧，内有折至约20×14cm原货权/报价急单、22×16cm薄硬封文夹与折留样、笔槽和行程页，非六契大匣。侍役左箱右门开。

【场景过渡】本组首次建立列明空间，按明确切点进入；不重复此前已完成动作。

【空间锚点 Spatial Anchor】车门旁1m净路；妻在男右，两阶到近门右后座，男入后跨0.6m到左邻座。

【角色站位】男右与妻左持续牵，她空右可扶外栏；她坐近门右座，他空左扶栏登两级、从她前过一步到左座，牵手不拉全体重。

【预演机位与场内移动】车外侧全身妻右扶磨亮栏、左牵男右，自踏二级阶到近门右座，男留地面不代抱；门扇在止点。；伴她真实两级登车抬高45cm，不越门反打也不跳到已坐。 → 车门侧深构图，妻近右座左掌仍牵，男左扶栏实踏二级后从她前过一步坐左邻；画后侍役把同箱落外架。；固定门侧宽深镜容全二阶和车内0.6m真实路线，手臂随他近来放松，不用一帧换座。 → 她坐定看左邻他说今晚邀请，邻侧男眼口可读，牵手留低画外；不要求纸面同窗。；固定邻座亲密距离，让今晚这一句由她主动落下。 → 男坐在她左邻回应的眼口；脸向她而非向外炫耀，手相牵画外。；短接句落男脸，不重做牵手或再吻。 → 行车后她自己的腰包口、空右取同薄文夹到本人膝上；左手与男右画外持续牵，包容量不扩。；真实切省普通扣箱关门起车，只见她空右从原包取薄夹，不把资料预置膝上。 → 她膝上22×16cm文夹打开、折原货权摊在左页、修复样和急单报价在右页；其右手真展开，牵手画外不多手。；锁本人膝与单一右手依次开夹展开，原件不从男内袋冒出。 → 原契残货整批清仓单行、留样旧损/完整修复织边分界、急单缺量与报价圈船期依次沿同平面可读；不强见脸。；沿膝上纸面侧移12cm，从残货条到真修边再到圈船期；三处依次读，不要求同瞬全细字。

【初始物理状态】车门已全开、箱侍役左，夫妻还在门外牵手。

【统一光影】车外晨光，车内小窗柔侧光；文书下近景能看真织边/圈船期，不要同镜强读全部字与两张脸。

【风格提示词】原生9:16写实真人浪漫奇幻，保自然皮肤、布木铜重量；眼口、接触点、身体支撑与去向清楚。无黑雾残影或悬浮物。

【声音与画面硬锁】妻主动先上、两人各自实踏/坐稳；文夹薄尺寸可入自包，原契只残货非整坊，急单仅缺这批货，不保证利润。

【Lens Group E46-G03｜She leads aboard, then opens her business】

【Duration】29.0 seconds

【Target model】Seedance 2.5

【Cast and voice sources】Lila, a 24-year-old adult human woman with secured chestnut-black hair, straight brows, slightly square jaw, real under-eye softness and sturdy shoulders, hips and legs. Opaque pale stone-gray travel dress with elbow movement panels, walking pleats and practical low boots; ordinary wedding ring and intact jade bangle. Her own plain 24×18×8cm dark leather bag stays fastened at her waist; uninjured, hidden leadership undisclosed. Actively leads his right with left, free right on rail to actually board/sit near right seat; later free right retrieves thin folder from own waist bag to lap and unfolds original/sample/urgent order. Fixed voice: Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering. Cassian, a 26-year-old adult man, the same identity as an autonomous wealthy complete six-limbed black dragon; human short dark-brown hair, thick brows, broad nose root and young broad jaw, broad shoulders, substantial neck and palms. Fine matte black diagonal-front wool coat, soft white shirt, black trousers and practical boots, ordinary wedding ring; the same narrow sea-indigo-gray handmade shoulder/neck lining corner, private front embroidery buttoned out of view. Only a thin dry dressing remains over the old left-palm injury, allowing ordinary carrying without fresh blood or a permanent support. Five fingers, ordinary pupils, no horns, scales or transformation here; the later back injury has not happened. Right/her-left contact continues; free left uses rail to actually board/sit adjoining left; thin left dressing permits rail contact without fresh blood, no signature yet. Fixed voice: Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect. Same unnamed adult attendant, neat short hair, gray-blue service short coat/white inner collar/dark-gray trousers and black practical boots; initially same case left/door held right. Door rests on stop before he releases right, then while man boards he places case flat on outer luggage rack and releases in background; routine strapping/door closure/departure follow in real elapsed-time cut, silent.

【Setting】Same portico royal dark-wood carriage with one dark-gold emblem, ink-blue cushions, small window and hand-pulled pale curtain; 1.6m clear width/1.8m depth, two real exterior steps and worn rail. She boards near right seat first, he then left adjoining seat; a real cut omits routine luggage strapping, door closure and departure before travel sway and window parallax.

【Props】Her waist bag contains original stock rights/urgent quotation folded about 20×14cm, a thin 22×16cm stiff folder, folded cloth sample, pen slot and itinerary, not six deed boxes. Attendant holds case left/door open right.

【Transitions】Establish listed setting at explicit cut; do not replay completed actions.

【Spatial anchors】Clear 1m path at door; wife on his right, two steps to near right rear seat, he then passes 0.6m to adjoining left seat.

【Blocking】His right/her left stay linked; her free right uses outer rail. She sits near right seat; he uses free left at rail for two steps then passes one pace before her to left seat, not loading full body weight onto handhold.

【Camera and movement】Full-body car-side view: wife right on worn rail/left holding his right, her own feet take two steps toward near right seat, man remains grounded without carrying her; door at stop.; Rise 45cm beside her actual two-step boarding, staying same side rather than jumping to seated state. -> Deep full-body door-side view: wife near right seat with left hand linked, he uses left rail/two real steps then passes one pace before her to adjoining left seat; attendant sets same case on outer rack in background.; Hold a wide deep door-side view covering both steps and real 0.6m interior route; arms ease as he comes near, no instantaneous seat switch. -> Seated she looks toward left-adjoining husband with tonight’s invitation, his near eyes/mouth readable, handhold below frame, no document demanded in window.; Hold their adjoining distance so she owns tonight’s invitation. -> His answering eyes/mouth in left-adjoining seat, turned toward her rather than outward display; linked hands offscreen.; Keep the short answer on him without repeating hand-taking or another kiss. -> After departure her own waist-bag opening/free right takes thin folder to her lap; left/his right continue linked offscreen, bag never expands.; After actual elapsed-time cut for routine strapping/closing/departing, show free right taking thin folder from own bag, never prepositioned on lap. -> 22×16cm folder opens on her lap: folded stock-right original on left leaf, repair sample and urgent quotation on right; her right unfolds them while linked hands remain offscreen, no extra hands.; Hold her lap and single right hand opening/unfolding in order; original never appears from his pocket. -> One-plane readable original “entire damaged-stock clearance” line, old-damage/restored-woven-edge boundary, urgent shortage and circled sailing date on quotation, read in order without faces.; Track 12cm along lap papers from stock clause to real repaired edge to circled sailing date; read three facts in order, not every small word at once.

【Initial physical state】Door fully open/case in attendant left, couple still holding hands outside.

【Lighting】Morning outside/soft side window light inside; document inserts read real woven edge/circled sailing date without demanding all text and both faces in one frame.

【Style】Native 9:16 photoreal live-action romantic fantasy with natural skin and real cloth, wood and copper weight. Clear eyes, mouths, contacts, support and destinations. No dark fog, afterimages or floating objects.

【Audio and picture locks】Wife actively boards first, each visibly steps and sits; thin folder fits own bag, original covers stock not whole workshop, urgent order lacks this batch only, no guaranteed profit.

cn picture + English dialogue

【视频编号E46-G03｜主动上车，再摊开她的生意】
【本组时长】29.0秒
【目标模型】Seedance 2.5
【出场人物】莉拉，24岁成年女性人类；栗黑发束后，平直眉、略方下颌与真实眼下软组织，肩背腿髋稳健。浅石灰不透明旅行裙，袖肘活动片、髋下行走开裥和低跟实靴；普通婚戒、完整翠玉镯；自己的24×18×8cm素深皮包扣挂本人腰侧，无新伤，不公开首领身份。 主动左牵他右，空右扶栏实登坐近门右座；后空右从本人腰包取薄夹到膝，原契样急单展开。 固定声线：成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷。
卡西安，26岁成年男性，与自主富有完整六肢黑龙同一身份；人形深棕短发、厚眉、宽鼻根和年轻宽下颌，宽肩厚颈大掌。高质哑黑斜襟羊毛外衣、白软内衫、黑裤实靴、普通婚戒；海靛灰亲缝肩颈软衬只露同一窄领角，私人前襟刺绣扣隐。左掌仅原伤后的薄干包布，能正常提物，无新血或永久支具；五指、普通瞳孔，本场不出角鳞、不化龙，背伤尚未发生。 右牵妻左持续，空左扶栏实登到左邻座；左薄布可扶栏，不添新血，纸面未签。 固定声线：年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑。
同一无名成年侍役，整齐短发、灰蓝短服务衣白内领深灰长裤、黑实靴；起左提同箱右门开，车门抵止点后右可松门，男登车时在画后将同箱全底放稳外侧行李架并松手；普通扣带/关门/起车随后真实时间切省略，无对白。
【场景】同门廊王室深黑木马车，暗金一徽、墨蓝软垫、手拉浅帘小窗；净宽1.6m深1.8m，门外二级实阶与磨亮扶手。她先上近门右座，他后入左邻座；真实切省普通扣箱、关门、起车，行车小颠与窗景再出现。
【道具】她包腰侧，内有折至约20×14cm原货权/报价急单、22×16cm薄硬封文夹与折留样、笔槽和行程页，非六契大匣。侍役左箱右门开。
【场景过渡】本组首次建立列明空间，按明确切点进入；不重复此前已完成动作。
【空间锚点 Spatial Anchor】车门旁1m净路；妻在男右，两阶到近门右后座，男入后跨0.6m到左邻座。
【角色站位】男右与妻左持续牵，她空右可扶外栏；她坐近门右座，他空左扶栏登两级、从她前过一步到左座，牵手不拉全体重。
【预演机位与场内移动】车外侧全身妻右扶磨亮栏、左牵男右，自踏二级阶到近门右座，男留地面不代抱；门扇在止点。；伴她真实两级登车抬高45cm，不越门反打也不跳到已坐。 → 车门侧深构图，妻近右座左掌仍牵，男左扶栏实踏二级后从她前过一步坐左邻；画后侍役把同箱落外架。；固定门侧宽深镜容全二阶和车内0.6m真实路线，手臂随他近来放松，不用一帧换座。 → 她坐定看左邻他说今晚邀请，邻侧男眼口可读，牵手留低画外；不要求纸面同窗。；固定邻座亲密距离，让今晚这一句由她主动落下。 → 男坐在她左邻回应的眼口；脸向她而非向外炫耀，手相牵画外。；短接句落男脸，不重做牵手或再吻。 → 行车后她自己的腰包口、空右取同薄文夹到本人膝上；左手与男右画外持续牵，包容量不扩。；真实切省普通扣箱关门起车，只见她空右从原包取薄夹，不把资料预置膝上。 → 她膝上22×16cm文夹打开、折原货权摊在左页、修复样和急单报价在右页；其右手真展开，牵手画外不多手。；锁本人膝与单一右手依次开夹展开，原件不从男内袋冒出。 → 原契残货整批清仓单行、留样旧损/完整修复织边分界、急单缺量与报价圈船期依次沿同平面可读；不强见脸。；沿膝上纸面侧移12cm，从残货条到真修边再到圈船期；三处依次读，不要求同瞬全细字。
【初始物理状态】车门已全开、箱侍役左，夫妻还在门外牵手。
【统一光影】车外晨光，车内小窗柔侧光；文书下近景能看真织边/圈船期，不要同镜强读全部字与两张脸。
【风格提示词】原生9:16写实真人浪漫奇幻，保自然皮肤、布木铜重量；眼口、接触点、身体支撑与去向清楚。无黑雾残影或悬浮物。
【声音与画面硬锁】妻主动先上、两人各自实踏/坐稳；文夹薄尺寸可入自包，原契只残货非整坊，急单仅缺这批货，不保证利润。

0.0—3.0秒：
车外侧全身妻右扶磨亮栏、左牵男右，自踏二级阶到近门右座，男留地面不代抱；门扇在止点。
真实切镜进入本机位。她把仍被他右牵的左手从胸前带下到两人之间，先牵他向门半步，空右握栏，自己踏上第一级。
画面表演：她选择并先走。
运镜：伴她真实两级登车抬高45cm，不越门反打也不跳到已坐。
声音：实鞋阶与衣料。

3.0—6.0秒：
车外侧全身妻右扶磨亮栏、左牵男右，自踏二级阶到近门右座，男留地面不代抱；门扇在止点。
同一take继续，不切镜。她再踏第二级，转髋坐稳近门右座，稳后松右栏；他仍留地面，牵手随近而放松，不负她体重。
画面表演：自主进入。
运镜：伴她真实两级登车抬高45cm，不越门反打也不跳到已坐。
声音：第二实阶与座垫承重。

6.0—9.0秒：
车门侧深构图，妻近右座左掌仍牵，男左扶栏实踏二级后从她前过一步坐左邻；画后侍役把同箱落外架。
真实切镜进入本机位。他空左握栏，右仍轻牵她左，双脚依次实踏二级；侍役松已抵止点车门右手，在画后用两手将同箱放到邻侧外行李架全底落实。
画面表演：同去而不被拖。
运镜：固定门侧宽深镜容全二阶和车内0.6m真实路线，手臂随他近来放松，不用一帧换座。
声音：鞋踏木阶与箱落架实响。

9.0—12.0秒：
车门侧深构图，妻近右座左掌仍牵，男左扶栏实踏二级后从她前过一步坐左邻；画后侍役把同箱落外架。
同一take继续，不切镜。他松左栏，从她膝前0.6m净路过一步，转髋坐稳左邻座；右与她左仍相牵，另一手各自空。
画面表演：生活位置真实落稳。
运镜：固定门侧宽深镜容全二阶和车内0.6m真实路线，手臂随他近来放松，不用一帧换座。
声音：座垫承重和衣料声。

12.0—15.5秒：
她坐定看左邻他说今晚邀请，邻侧男眼口可读，牵手留低画外；不要求纸面同窗。
真实切镜进入本机位。她坐稳后看他说今晚回家陪她吃饭，手仍牵着。
画面表演：具体温柔。
运镜：固定邻座亲密距离，让今晚这一句由她主动落下。
声音：英语现场。
读法：莉拉；成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷；她主动牵他登车坐稳后给今晚的邀请；八词3.5秒约137词/分，tonight与me落轻重；现场开口说：“Come home tonight and have dinner with me.”

15.5—17.0秒：
男坐在她左邻回应的眼口；脸向她而非向外炫耀，手相牵画外。
真实切镜进入本机位。他看她短答说定了，眼里有喜。
画面表演：喜悦确定。
运镜：短接句落男脸，不重做牵手或再吻。
声音：英语现场。
读法：卡西安；年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑；接她的一餐邀请，短而有喜，不追加一年答案；三词1.5秒约120词/分，短促落稳；现场开口说：“It's a date.”

17.0—20.5秒：
行车后她自己的腰包口、空右取同薄文夹到本人膝上；左手与男右画外持续牵，包容量不扩。
真实切镜进入本机位。真实切到车已缓行、小窗有地面视差；她右打开自己腰包，抽出同薄硬封文夹放本人膝上，再用同右手将原包扣回、回到夹缘，左仍牵男右。
画面表演：自然转向经办。
运镜：真实切省普通扣箱关门起车，只见她空右从原包取薄夹，不把资料预置膝上。
声音：车轮小颠与包扣/皮纸真响。

20.5—25.0秒：
她膝上22×16cm文夹打开、折原货权摊在左页、修复样和急单报价在右页；其右手真展开，牵手画外不多手。
真实切镜进入本机位。她右手掀开硬封，沿既有折线展开原契，再把折留样翻开到完整新织边，急单报价页并列；左手仍被牵。
画面表演：她知道自己买到什么。
运镜：锁本人膝与单一右手依次开夹展开，原件不从男内袋冒出。
声音：纸与织物实声。

25.0—29.0秒：
原契残货整批清仓单行、留样旧损/完整修复织边分界、急单缺量与报价圈船期依次沿同平面可读；不强见脸。
真实切镜进入本机位。纸面近插依次给原契“残货整批清仓”（后期文字），不是整座坊产权；镜沿真实完整织边移至北湾现货急单缺这批货的行和她原圈船期。
画面表演：经营判断具体。
运镜：沿膝上纸面侧移12cm，从残货条到真修边再到圈船期；三处依次读，不要求同瞬全细字。
声音：车轮与纸轻振，无报幕。

en picture + English dialogue

【Video E46-G03 | She leads aboard, then opens her business】
【Duration】29.0 seconds
【Target model】Seedance 2.5
【Cast and voice sources】Lila, a 24-year-old adult human woman with secured chestnut-black hair, straight brows, slightly square jaw, real under-eye softness and sturdy shoulders, hips and legs. Opaque pale stone-gray travel dress with elbow movement panels, walking pleats and practical low boots; ordinary wedding ring and intact jade bangle. Her own plain 24×18×8cm dark leather bag stays fastened at her waist; uninjured, hidden leadership undisclosed. Actively leads his right with left, free right on rail to actually board/sit near right seat; later free right retrieves thin folder from own waist bag to lap and unfolds original/sample/urgent order. Fixed voice: Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering.
Cassian, a 26-year-old adult man, the same identity as an autonomous wealthy complete six-limbed black dragon; human short dark-brown hair, thick brows, broad nose root and young broad jaw, broad shoulders, substantial neck and palms. Fine matte black diagonal-front wool coat, soft white shirt, black trousers and practical boots, ordinary wedding ring; the same narrow sea-indigo-gray handmade shoulder/neck lining corner, private front embroidery buttoned out of view. Only a thin dry dressing remains over the old left-palm injury, allowing ordinary carrying without fresh blood or a permanent support. Five fingers, ordinary pupils, no horns, scales or transformation here; the later back injury has not happened. Right/her-left contact continues; free left uses rail to actually board/sit adjoining left; thin left dressing permits rail contact without fresh blood, no signature yet. Fixed voice: Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect.
Same unnamed adult attendant, neat short hair, gray-blue service short coat/white inner collar/dark-gray trousers and black practical boots; initially same case left/door held right. Door rests on stop before he releases right, then while man boards he places case flat on outer luggage rack and releases in background; routine strapping/door closure/departure follow in real elapsed-time cut, silent.
【Setting】Same portico royal dark-wood carriage with one dark-gold emblem, ink-blue cushions, small window and hand-pulled pale curtain; 1.6m clear width/1.8m depth, two real exterior steps and worn rail. She boards near right seat first, he then left adjoining seat; a real cut omits routine luggage strapping, door closure and departure before travel sway and window parallax.
【Props】Her waist bag contains original stock rights/urgent quotation folded about 20×14cm, a thin 22×16cm stiff folder, folded cloth sample, pen slot and itinerary, not six deed boxes. Attendant holds case left/door open right.
【Transitions】Establish listed setting at explicit cut; do not replay completed actions.
【Spatial anchors】Clear 1m path at door; wife on his right, two steps to near right rear seat, he then passes 0.6m to adjoining left seat.
【Blocking】His right/her left stay linked; her free right uses outer rail. She sits near right seat; he uses free left at rail for two steps then passes one pace before her to left seat, not loading full body weight onto handhold.
【Camera and movement】Full-body car-side view: wife right on worn rail/left holding his right, her own feet take two steps toward near right seat, man remains grounded without carrying her; door at stop.; Rise 45cm beside her actual two-step boarding, staying same side rather than jumping to seated state. -> Deep full-body door-side view: wife near right seat with left hand linked, he uses left rail/two real steps then passes one pace before her to adjoining left seat; attendant sets same case on outer rack in background.; Hold a wide deep door-side view covering both steps and real 0.6m interior route; arms ease as he comes near, no instantaneous seat switch. -> Seated she looks toward left-adjoining husband with tonight’s invitation, his near eyes/mouth readable, handhold below frame, no document demanded in window.; Hold their adjoining distance so she owns tonight’s invitation. -> His answering eyes/mouth in left-adjoining seat, turned toward her rather than outward display; linked hands offscreen.; Keep the short answer on him without repeating hand-taking or another kiss. -> After departure her own waist-bag opening/free right takes thin folder to her lap; left/his right continue linked offscreen, bag never expands.; After actual elapsed-time cut for routine strapping/closing/departing, show free right taking thin folder from own bag, never prepositioned on lap. -> 22×16cm folder opens on her lap: folded stock-right original on left leaf, repair sample and urgent quotation on right; her right unfolds them while linked hands remain offscreen, no extra hands.; Hold her lap and single right hand opening/unfolding in order; original never appears from his pocket. -> One-plane readable original “entire damaged-stock clearance” line, old-damage/restored-woven-edge boundary, urgent shortage and circled sailing date on quotation, read in order without faces.; Track 12cm along lap papers from stock clause to real repaired edge to circled sailing date; read three facts in order, not every small word at once.
【Initial physical state】Door fully open/case in attendant left, couple still holding hands outside.
【Lighting】Morning outside/soft side window light inside; document inserts read real woven edge/circled sailing date without demanding all text and both faces in one frame.
【Style】Native 9:16 photoreal live-action romantic fantasy with natural skin and real cloth, wood and copper weight. Clear eyes, mouths, contacts, support and destinations. No dark fog, afterimages or floating objects.
【Audio and picture locks】Wife actively boards first, each visibly steps and sits; thin folder fits own bag, original covers stock not whole workshop, urgent order lacks this batch only, no guaranteed profit.

0.0—3.0 seconds:
Full-body car-side view: wife right on worn rail/left holding his right, her own feet take two steps toward near right seat, man remains grounded without carrying her; door at stop.
Real cut into this viewpoint. She lowers her left, still held by his right, from his chest to between them, leads him half a step to door, takes rail with free right and steps onto first stair herself.
Visible performance: She chooses and leads.
Camera: Rise 45cm beside her actual two-step boarding, staying same side rather than jumping to seated state.
Sound: Real step and cloth.

3.0—6.0 seconds:
Full-body car-side view: wife right on worn rail/left holding his right, her own feet take two steps toward near right seat, man remains grounded without carrying her; door at stop.
Same take continues without a cut. She takes second stair, turns hips and sits firmly on near right seat, releasing right rail once settled; he remains grounded, handhold easing as she moves near without carrying her weight.
Visible performance: Entering by her own choice.
Camera: Rise 45cm beside her actual two-step boarding, staying same side rather than jumping to seated state.
Sound: Second real step and cushion loading.

6.0—9.0 seconds:
Deep full-body door-side view: wife near right seat with left hand linked, he uses left rail/two real steps then passes one pace before her to adjoining left seat; attendant sets same case on outer rack in background.
Real cut into this viewpoint. His free left takes rail while right lightly holds her left; both feet take the two real steps. Attendant releases door on its stop and in background uses both hands to settle the same case flat onto adjoining outer luggage rack.
Visible performance: Joining her without being dragged.
Camera: Hold a wide deep door-side view covering both steps and real 0.6m interior route; arms ease as he comes near, no instantaneous seat switch.
Sound: Real wooden step and case-rack contacts.

9.0—12.0 seconds:
Deep full-body door-side view: wife near right seat with left hand linked, he uses left rail/two real steps then passes one pace before her to adjoining left seat; attendant sets same case on outer rack in background.
Same take continues without a cut. He releases left rail, passes one step through 0.6m clearance before her knees, turns hips and sits firmly in adjoining left seat; his right/her left remain linked, other hands free.
Visible performance: Their shared place settles physically.
Camera: Hold a wide deep door-side view covering both steps and real 0.6m interior route; arms ease as he comes near, no instantaneous seat switch.
Sound: Cushion load and clothing.

12.0—15.5 seconds:
Seated she looks toward left-adjoining husband with tonight’s invitation, his near eyes/mouth readable, handhold below frame, no document demanded in window.
Real cut into this viewpoint. Once seated she looks at him and asks him home for dinner tonight, handhold continuing.
Visible performance: Concrete tenderness.
Camera: Hold their adjoining distance so she owns tonight’s invitation.
Sound: On-camera English.
Delivery: Lila; Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering; After actively leading him aboard and both sit, offer an invitation for tonight; Eight words in 3.5 seconds/about 137 wpm, place light emphasis on tonight and me; live onscreen says: "Come home tonight and have dinner with me."

15.5—17.0 seconds:
His answering eyes/mouth in left-adjoining seat, turned toward her rather than outward display; linked hands offscreen.
Real cut into this viewpoint. He looks at her and accepts the date with pleased eyes.
Visible performance: Sure pleasure.
Camera: Keep the short answer on him without repeating hand-taking or another kiss.
Sound: On-camera English.
Delivery: Cassian; Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect; Accept the dinner invitation with brief pleasure, adding no answer about next year; Three words in 1.5 seconds/about 120 wpm, a compact grounded ending; live onscreen says: "It's a date."

17.0—20.5 seconds:
After departure her own waist-bag opening/free right takes thin folder to her lap; left/his right continue linked offscreen, bag never expands.
Real cut into this viewpoint. Real cut to slowly moving carriage with grounded window parallax; she opens own waist bag with right, draws thin stiff folder onto her own lap, then uses the same right to refasten the bag and return to folder edge while left still holds his right.
Visible performance: Naturally turning to business.
Camera: After actual elapsed-time cut for routine strapping/closing/departing, show free right taking thin folder from own bag, never prepositioned on lap.
Sound: Wheel sway and real bag-clasp/leather-paper sound.

20.5—25.0 seconds:
22×16cm folder opens on her lap: folded stock-right original on left leaf, repair sample and urgent quotation on right; her right unfolds them while linked hands remain offscreen, no extra hands.
Real cut into this viewpoint. Her right opens stiff cover, unfolds original along existing crease, then opens folded sample to its completed new woven edge with urgent quotation alongside; left stays held.
Visible performance: She knows what she bought.
Camera: Hold her lap and single right hand opening/unfolding in order; original never appears from his pocket.
Sound: Real paper and cloth.

25.0—29.0 seconds:
One-plane readable original “entire damaged-stock clearance” line, old-damage/restored-woven-edge boundary, urgent shortage and circled sailing date on quotation, read in order without faces.
Real cut into this viewpoint. Document insert reads “entire damaged-stock clearance” on original (post lettering), not title to the whole workshop; camera passes real complete restored edge to Northbay urgent-stock shortfall for this batch and her already circled sailing date.
Visible performance: Specific business judgement.
Camera: Track 12cm along lap papers from stock clause to real repaired edge to circled sailing date; read three facts in order, not every small word at once.
Sound: Wheels and paper vibration, no announcement.

【Lens Group E46-G04｜把经办交给他，手再握回来】

【本组时长】30.0秒

【目标模型】Seedance 2.5

【出场人物】莉拉，24岁成年女性人类；栗黑发束后，平直眉、略方下颌与真实眼下软组织，肩背腿髋稳健。浅石灰不透明旅行裙，袖肘活动片、髋下行走开裥和低跟实靴；普通婚戒、完整翠玉镯；自己的24×18×8cm素深皮包扣挂本人腰侧，无新伤，不公开首领身份。 膝上原契样报价已开，初左被牵右指纸；后真递笔，右翻行程，左重新被牵；自包腰侧。 固定声线：成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷。 卡西安，26岁成年男性，与自主富有完整六肢黑龙同一身份；人形深棕短发、厚眉、宽鼻根和年轻宽下颌，宽肩厚颈大掌。高质哑黑斜襟羊毛外衣、白软内衫、黑裤实靴、普通婚戒；海靛灰亲缝肩颈软衬只露同一窄领角，私人前襟刺绣扣隐。左掌仅原伤后的薄干包布，能正常提物，无新血或永久支具；五指、普通瞳孔，本场不出角鳞、不化龙，背伤尚未发生。 初右牵妻左、左空；真松手后接笔签经办，笔归槽再折原契入本人内袋，空右重牵，左末压纸角。 固定声线：年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑。

【场景】日内同缓行马车相邻后座，纸夹在她本人膝上；圈船期和修复样已由近插建立。窗风可吹报价页一角，不掀飞原契。

【道具】原残货契未签经办，样/报价右页，笔在夹槽；行程页夹后。妻左与男右仍牵，男左空。原契签后只收男本人外衣内袋作经办保管，不改货权归属。

【场景过渡】本组首次建立列明空间，按明确切点进入；不重复此前已完成动作。

【空间锚点 Spatial Anchor】男左座/妻右座，文夹在她膝而非跨空；一扇小窗在她右肩后，风只入纸角。

【角色站位】她右指圈船期说明，男右尚牵她左；讲完男右松她左后才接她右递笔，男左压原契签；笔回槽放空才折收原契。她右翻行程、空左被他右再牵；男左末压风纸。

【预演机位与场内移动】邻座二人上身与她膝上文夹上缘，妻口型及右指指已圈船期可见；小字由既有近插承担，不要求脸与微字同时锐读。；固定两人相邻中景，纸上事实先已建立，让她完整说清分工；只末意看他轻逗，不插幻想浴池。 → 她膝上文夹与二人手，男右先松她左，再接她右从槽取出的笔；男左可稳契边，妻左随后压夹。；锁一次真实释放与笔交重，笔不得在相牵掌里预置。 → 经办空栏、男右笔尖真实落签与男左压页；妻膝与夹缘承纸，末笔回同槽松右。；固定签名全接触到末笔回槽，不把已签结果替换成起态，也不签别栏。 → 他两手将同已签原契沿旧折折好，左拉本人外衣内袋口、右将同原件滑入；不是她整包或新匣。；伴同原件从她膝边移到本人内袋侧移20cm，落纸全入与右手空，不跳过交存。 → 她右从报价翻到行程，空左在本人膝旁；男空右实际握回她左，男左仍空。；纸页翻动与重新牵手为两处独立手，明确右对左，不同时持笔。 → 行程一角被小窗风抬起，男空左掌薄干布侧压实同纸角，右牵妻左画外持续；字不全读。；锁真实纸角由抬到压稳，用小动作结束委托，不新增契约结算。

【初始物理状态】原契/样/报价已展开，笔槽内、经办栏空，手仍牵。

【统一光影】小窗侧光，低纸面插仅纸手可读；人物中景不要求重读所有小字。

【风格提示词】原生9:16写实真人浪漫奇幻，保自然皮肤、布木铜重量；眼口、接触点、身体支撑与去向清楚。无黑雾残影或悬浮物。

【声音与画面硬锁】原契是残货权非工坊产权；他签经办不签婚约或母产；牵手真松→接笔→归笔→收原契→再牵，不能三手持笔握人压纸。

【Lens Group E46-G04｜Give him the work, then take his hand again】

【Duration】30.0 seconds

【Target model】Seedance 2.5

【Cast and voice sources】Lila, a 24-year-old adult human woman with secured chestnut-black hair, straight brows, slightly square jaw, real under-eye softness and sturdy shoulders, hips and legs. Opaque pale stone-gray travel dress with elbow movement panels, walking pleats and practical low boots; ordinary wedding ring and intact jade bangle. Her own plain 24×18×8cm dark leather bag stays fastened at her waist; uninjured, hidden leadership undisclosed. Original/sample/quotation open on lap; initially left linked/right at papers, later actually offers pen, right turns itinerary and left is retaken; own bag stays waist. Fixed voice: Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering. Cassian, a 26-year-old adult man, the same identity as an autonomous wealthy complete six-limbed black dragon; human short dark-brown hair, thick brows, broad nose root and young broad jaw, broad shoulders, substantial neck and palms. Fine matte black diagonal-front wool coat, soft white shirt, black trousers and practical boots, ordinary wedding ring; the same narrow sea-indigo-gray handmade shoulder/neck lining corner, private front embroidery buttoned out of view. Only a thin dry dressing remains over the old left-palm injury, allowing ordinary carrying without fresh blood or a permanent support. Five fingers, ordinary pupils, no horns, scales or transformation here; the later back injury has not happened. Initially right holds her left/left free; actually releases before taking pen/signing handling, returns pen then folds original into own inner pocket, free right retakes hand and left finally pins paper. Fixed voice: Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect.

【Setting】Day inside same slowly moving carriage/adjoining rear seats; folder on her own lap, circled date and restored sample already established by inserts. Window air can lift one quotation corner, not blow the original away.

【Props】Handling field unsigned on original stock contract, sample/quotation right leaf, pen in slot, itinerary behind. Her left/his right still linked, his left free. After signing original goes in his own coat inner document pocket for handling safekeeping without transferring ownership.

【Transitions】Establish listed setting at explicit cut; do not replay completed actions.

【Spatial anchors】He left seat/she right, folder supported on her lap rather than spanning empty space; small window behind her right shoulder, air reaches only paper corner.

【Blocking】Her right indicates circled date while his right still holds her left; after instructions he releases her left before taking pen offered by her right, his left steadies original for signing. Pen returns to slot before folding/stowing original. Her right turns itinerary as his right retakes her empty left; his left finally pins wind-lifted corner.

【Camera and movement】Adjoining upper bodies and top edge of folder on her lap: her speaking mouth and right finger indicating already circled date; fine text belongs to earlier insert, not simultaneous face-and-microprint reading.; Hold adjoining medium view after factual inserts so she states the whole division of work; only at the last thought look at him teasingly, no imagined bath cutaways. -> Folder on her lap and hands: his right first releases her left then takes pen her right lifts from slot; his left steadies contract edge, her freed left then steadies folder.; Hold one real hand release and pen transfer; no pen preloaded into linked palms. -> Empty handling field, his right pen tip actually signs while left pins page; her lap/folder edge support paper; pen then returns to same slot and right releases.; Hold complete signature contact through return to pen slot; no already-signed start and no different field. -> His hands fold same signed original along old crease, left opens own coat inner document pocket as right slides original inside; not her whole bag or a new case.; Track 20cm with the same original from her lap edge to his own inner pocket, landing after paper is fully in and right free, without skipping safekeeping. -> Her right turns quotation to itinerary while empty left rests beside her lap; his free right actually retakes her left, his left still free.; Page turn and renewed handhold use different hands; show his right to her left without anyone still holding pen. -> One itinerary corner lifts in window air; his free thin-dressed left pins same corner flat, while his-right/her-left hold continues offscreen; no demand to read all print.; Hold actual paper corner rising then pinned, ending the assignment with a small act, no invented settlement.

【Initial physical state】Original/sample/quotation open, pen in slot/handling field empty, handhold still linked.

【Lighting】Small-window sidelight, low inserts read paper/hands only; character medium view need not reread all small text.

【Style】Native 9:16 photoreal live-action romantic fantasy with natural skin and real cloth, wood and copper weight. Clear eyes, mouths, contacts, support and destinations. No dark fog, afterimages or floating objects.

【Audio and picture locks】Original is stock rights, not workshop title; he signs handling authority, not marriage or maternal assets. Actually release→take pen→return pen→stow original→retake hand, never a third hand holding pen/person/paper.

cn picture + English dialogue

【视频编号E46-G04｜把经办交给他，手再握回来】
【本组时长】30.0秒
【目标模型】Seedance 2.5
【出场人物】莉拉，24岁成年女性人类；栗黑发束后，平直眉、略方下颌与真实眼下软组织，肩背腿髋稳健。浅石灰不透明旅行裙，袖肘活动片、髋下行走开裥和低跟实靴；普通婚戒、完整翠玉镯；自己的24×18×8cm素深皮包扣挂本人腰侧，无新伤，不公开首领身份。 膝上原契样报价已开，初左被牵右指纸；后真递笔，右翻行程，左重新被牵；自包腰侧。 固定声线：成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷。
卡西安，26岁成年男性，与自主富有完整六肢黑龙同一身份；人形深棕短发、厚眉、宽鼻根和年轻宽下颌，宽肩厚颈大掌。高质哑黑斜襟羊毛外衣、白软内衫、黑裤实靴、普通婚戒；海靛灰亲缝肩颈软衬只露同一窄领角，私人前襟刺绣扣隐。左掌仅原伤后的薄干包布，能正常提物，无新血或永久支具；五指、普通瞳孔，本场不出角鳞、不化龙，背伤尚未发生。 初右牵妻左、左空；真松手后接笔签经办，笔归槽再折原契入本人内袋，空右重牵，左末压纸角。 固定声线：年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑。
【场景】日内同缓行马车相邻后座，纸夹在她本人膝上；圈船期和修复样已由近插建立。窗风可吹报价页一角，不掀飞原契。
【道具】原残货契未签经办，样/报价右页，笔在夹槽；行程页夹后。妻左与男右仍牵，男左空。原契签后只收男本人外衣内袋作经办保管，不改货权归属。
【场景过渡】本组首次建立列明空间，按明确切点进入；不重复此前已完成动作。
【空间锚点 Spatial Anchor】男左座/妻右座，文夹在她膝而非跨空；一扇小窗在她右肩后，风只入纸角。
【角色站位】她右指圈船期说明，男右尚牵她左；讲完男右松她左后才接她右递笔，男左压原契签；笔回槽放空才折收原契。她右翻行程、空左被他右再牵；男左末压风纸。
【预演机位与场内移动】邻座二人上身与她膝上文夹上缘，妻口型及右指指已圈船期可见；小字由既有近插承担，不要求脸与微字同时锐读。；固定两人相邻中景，纸上事实先已建立，让她完整说清分工；只末意看他轻逗，不插幻想浴池。 → 她膝上文夹与二人手，男右先松她左，再接她右从槽取出的笔；男左可稳契边，妻左随后压夹。；锁一次真实释放与笔交重，笔不得在相牵掌里预置。 → 经办空栏、男右笔尖真实落签与男左压页；妻膝与夹缘承纸，末笔回同槽松右。；固定签名全接触到末笔回槽，不把已签结果替换成起态，也不签别栏。 → 他两手将同已签原契沿旧折折好，左拉本人外衣内袋口、右将同原件滑入；不是她整包或新匣。；伴同原件从她膝边移到本人内袋侧移20cm，落纸全入与右手空，不跳过交存。 → 她右从报价翻到行程，空左在本人膝旁；男空右实际握回她左，男左仍空。；纸页翻动与重新牵手为两处独立手，明确右对左，不同时持笔。 → 行程一角被小窗风抬起，男空左掌薄干布侧压实同纸角，右牵妻左画外持续；字不全读。；锁真实纸角由抬到压稳，用小动作结束委托，不新增契约结算。
【初始物理状态】原契/样/报价已展开，笔槽内、经办栏空，手仍牵。
【统一光影】小窗侧光，低纸面插仅纸手可读；人物中景不要求重读所有小字。
【风格提示词】原生9:16写实真人浪漫奇幻，保自然皮肤、布木铜重量；眼口、接触点、身体支撑与去向清楚。无黑雾残影或悬浮物。
【声音与画面硬锁】原契是残货权非工坊产权；他签经办不签婚约或母产；牵手真松→接笔→归笔→收原契→再牵，不能三手持笔握人压纸。

0.0—2.0秒：
邻座二人上身与她膝上文夹上缘，妻口型及右指指已圈船期可见；小字由既有近插承担，不要求脸与微字同时锐读。
真实切镜进入本机位。她点原契残货条，说他们卖的是残货。
画面表演：她掌握事实。
运镜：固定两人相邻中景，纸上事实先已建立，让她完整说清分工；只末意看他轻逗，不插幻想浴池。
声音：英语现场。
读法：莉拉；成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷；先清楚说明货权与现货缺口，最后才轻逗他；经办权不代为转让母产；三十词13.5秒约133词/分，六个完整意群，指事实稳说，末意轻逗不加速；现场开口说：“They sold damaged stock.”

2.0—4.5秒：
邻座二人上身与她膝上文夹上缘，妻口型及右指指已圈船期可见；小字由既有近插承担，不要求脸与微字同时锐读。
同一take继续，不切镜。右指从契移到修复织边，说按可修好的收。
画面表演：自信不保证神利。
运镜：固定两人相邻中景，纸上事实先已建立，让她完整说清分工；只末意看他轻逗，不插幻想浴池。
声音：英语现场。
读法：莉拉；成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷；先清楚说明货权与现货缺口，最后才轻逗他；经办权不代为转让母产；三十词13.5秒约133词/分，六个完整意群，指事实稳说，末意轻逗不加速；现场开口说：“I bought what we can repair.”

4.5—6.5秒：
邻座二人上身与她膝上文夹上缘，妻口型及右指指已圈船期可见；小字由既有近插承担，不要求脸与微字同时锐读。
同一take继续，不切镜。她指急单缺量行，说北湾现在就缺。
画面表演：经营节奏清楚。
运镜：固定两人相邻中景，纸上事实先已建立，让她完整说清分工；只末意看他轻逗，不插幻想浴池。
声音：英语现场。
读法：莉拉；成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷；先清楚说明货权与现货缺口，最后才轻逗他；经办权不代为转让母产；三十词13.5秒约133词/分，六个完整意群，指事实稳说，末意轻逗不加速；现场开口说：“Northbay needs it now.”

6.5—8.5秒：
邻座二人上身与她膝上文夹上缘，妻口型及右指指已圈船期可见；小字由既有近插承担，不要求脸与微字同时锐读。
同一take继续，不切镜。她右指落自己原圈船期，说船期在这，不重新圈一次。
画面表演：期限具象。
运镜：固定两人相邻中景，纸上事实先已建立，让她完整说清分工；只末意看他轻逗，不插幻想浴池。
声音：英语现场。
读法：莉拉；成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷；先清楚说明货权与现货缺口，最后才轻逗他；经办权不代为转让母产；三十词13.5秒约133词/分，六个完整意群，指事实稳说，末意轻逗不加速；现场开口说：“Here's the sailing date.”

8.5—10.5秒：
邻座二人上身与她膝上文夹上缘，妻口型及右指指已圈船期可见；小字由既有近插承担，不要求脸与微字同时锐读。
同一take继续，不切镜。她转眼向男，把修复、订单和买家交他经办。
画面表演：平等而明确。
运镜：固定两人相邻中景，纸上事实先已建立，让她完整说清分工；只末意看他轻逗，不插幻想浴池。
声音：英语现场。
读法：莉拉；成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷；先清楚说明货权与现货缺口，最后才轻逗他；经办权不代为转让母产；三十词13.5秒约133词/分，六个完整意群，指事实稳说，末意轻逗不加速；现场开口说：“Handle repairs, orders, and buyers.”

10.5—13.5秒：
邻座二人上身与她膝上文夹上缘，妻口型及右指指已圈船期可见；小字由既有近插承担，不要求脸与微字同时锐读。
同一take继续，不切镜。她末意轻逗别只在浴池摆花，男听着眼里笑，手仍未松去取笔。
画面表演：私人逗趣落回信任。
运镜：固定两人相邻中景，纸上事实先已建立，让她完整说清分工；只末意看他轻逗，不插幻想浴池。
声音：英语现场。
读法：莉拉；成年女性中低音，前口腔圆润共鸣，轻细颗粒而不沙哑；清楚短辅音、自然元音，标准美式英语；基线语速稳、句尾干净，不以持续耳语显冷；先清楚说明货权与现货缺口，最后才轻逗他；经办权不代为转让母产；三十词13.5秒约133词/分，六个完整意群，指事实稳说，末意轻逗不加速；现场开口说：“Don't just fill the bath with flowers.”

13.5—16.5秒：
她膝上文夹与二人手，男右先松她左，再接她右从槽取出的笔；男左可稳契边，妻左随后压夹。
真实切镜进入本机位。他右先松她左，左手扶原契边；她右从笔槽取笔递出，他空右接稳，她右才松笔，空左压自己膝上夹缘。
画面表演：实际接下责任。
运镜：锁一次真实释放与笔交重，笔不得在相牵掌里预置。
声音：笔槽与指间轻响。

16.5—21.0秒：
经办空栏、男右笔尖真实落签与男左压页；妻膝与夹缘承纸，末笔回同槽松右。
真实切镜进入本机位。他左压原货权页，用右笔在“经办”空栏一次签名确认；末划结束把笔放回同夹笔槽并松右手。
画面表演：不是嘴上答应。
运镜：固定签名全接触到末笔回槽，不把已签结果替换成起态，也不签别栏。
声音：笔划与入槽实响；栏目文字后期。

21.0—24.0秒：
他两手将同已签原契沿旧折折好，左拉本人外衣内袋口、右将同原件滑入；不是她整包或新匣。
真实切镜进入本机位。他左从夹页抽起同已签原契，空右配合沿已有折痕折回小页；样和报价仍她膝夹，笔槽不动。
画面表演：经营保管清楚。
运镜：伴同原件从她膝边移到本人内袋侧移20cm，落纸全入与右手空，不跳过交存。
声音：原纸折痕实声。

24.0—26.5秒：
他两手将同已签原契沿旧折折好，左拉本人外衣内袋口、右将同原件滑入；不是她整包或新匣。
同一take继续，不切镜。他左打开本人外衣内文袋口，右将同折原契全入，松右合袋；不拿走她留样、报价或行程。
画面表演：接下真实活。
运镜：伴同原件从她膝边移到本人内袋侧移20cm，落纸全入与右手空，不跳过交存。
声音：内袋布纸轻响。

26.5—28.0秒：
她右从报价翻到行程，空左在本人膝旁；男空右实际握回她左，男左仍空。
真实切镜进入本机位。她右翻开行程页，同时他空右握回她空左，手在两膝间落稳。
画面表演：责任和亲密兼得。
运镜：纸页翻动与重新牵手为两处独立手，明确右对左，不同时持笔。
声音：纸页与轻牵实声。

28.0—30.0秒：
行程一角被小窗风抬起，男空左掌薄干布侧压实同纸角，右牵妻左画外持续；字不全读。
真实切镜进入本机位。车风抬起行程页角，他空左轻压回纸面并保持；右仍牵她左，妻右扶夹缘。
画面表演：有用的温柔。
运镜：锁真实纸角由抬到压稳，用小动作结束委托，不新增契约结算。
声音：纸颤随掌压止，车轮持续。

en picture + English dialogue

【Video E46-G04 | Give him the work, then take his hand again】
【Duration】30.0 seconds
【Target model】Seedance 2.5
【Cast and voice sources】Lila, a 24-year-old adult human woman with secured chestnut-black hair, straight brows, slightly square jaw, real under-eye softness and sturdy shoulders, hips and legs. Opaque pale stone-gray travel dress with elbow movement panels, walking pleats and practical low boots; ordinary wedding ring and intact jade bangle. Her own plain 24×18×8cm dark leather bag stays fastened at her waist; uninjured, hidden leadership undisclosed. Original/sample/quotation open on lap; initially left linked/right at papers, later actually offers pen, right turns itinerary and left is retaken; own bag stays waist. Fixed voice: Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering.
Cassian, a 26-year-old adult man, the same identity as an autonomous wealthy complete six-limbed black dragon; human short dark-brown hair, thick brows, broad nose root and young broad jaw, broad shoulders, substantial neck and palms. Fine matte black diagonal-front wool coat, soft white shirt, black trousers and practical boots, ordinary wedding ring; the same narrow sea-indigo-gray handmade shoulder/neck lining corner, private front embroidery buttoned out of view. Only a thin dry dressing remains over the old left-palm injury, allowing ordinary carrying without fresh blood or a permanent support. Five fingers, ordinary pupils, no horns, scales or transformation here; the later back injury has not happened. Initially right holds her left/left free; actually releases before taking pen/signing handling, returns pen then folds original into own inner pocket, free right retakes hand and left finally pins paper. Fixed voice: Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect.
【Setting】Day inside same slowly moving carriage/adjoining rear seats; folder on her own lap, circled date and restored sample already established by inserts. Window air can lift one quotation corner, not blow the original away.
【Props】Handling field unsigned on original stock contract, sample/quotation right leaf, pen in slot, itinerary behind. Her left/his right still linked, his left free. After signing original goes in his own coat inner document pocket for handling safekeeping without transferring ownership.
【Transitions】Establish listed setting at explicit cut; do not replay completed actions.
【Spatial anchors】He left seat/she right, folder supported on her lap rather than spanning empty space; small window behind her right shoulder, air reaches only paper corner.
【Blocking】Her right indicates circled date while his right still holds her left; after instructions he releases her left before taking pen offered by her right, his left steadies original for signing. Pen returns to slot before folding/stowing original. Her right turns itinerary as his right retakes her empty left; his left finally pins wind-lifted corner.
【Camera and movement】Adjoining upper bodies and top edge of folder on her lap: her speaking mouth and right finger indicating already circled date; fine text belongs to earlier insert, not simultaneous face-and-microprint reading.; Hold adjoining medium view after factual inserts so she states the whole division of work; only at the last thought look at him teasingly, no imagined bath cutaways. -> Folder on her lap and hands: his right first releases her left then takes pen her right lifts from slot; his left steadies contract edge, her freed left then steadies folder.; Hold one real hand release and pen transfer; no pen preloaded into linked palms. -> Empty handling field, his right pen tip actually signs while left pins page; her lap/folder edge support paper; pen then returns to same slot and right releases.; Hold complete signature contact through return to pen slot; no already-signed start and no different field. -> His hands fold same signed original along old crease, left opens own coat inner document pocket as right slides original inside; not her whole bag or a new case.; Track 20cm with the same original from her lap edge to his own inner pocket, landing after paper is fully in and right free, without skipping safekeeping. -> Her right turns quotation to itinerary while empty left rests beside her lap; his free right actually retakes her left, his left still free.; Page turn and renewed handhold use different hands; show his right to her left without anyone still holding pen. -> One itinerary corner lifts in window air; his free thin-dressed left pins same corner flat, while his-right/her-left hold continues offscreen; no demand to read all print.; Hold actual paper corner rising then pinned, ending the assignment with a small act, no invented settlement.
【Initial physical state】Original/sample/quotation open, pen in slot/handling field empty, handhold still linked.
【Lighting】Small-window sidelight, low inserts read paper/hands only; character medium view need not reread all small text.
【Style】Native 9:16 photoreal live-action romantic fantasy with natural skin and real cloth, wood and copper weight. Clear eyes, mouths, contacts, support and destinations. No dark fog, afterimages or floating objects.
【Audio and picture locks】Original is stock rights, not workshop title; he signs handling authority, not marriage or maternal assets. Actually release→take pen→return pen→stow original→retake hand, never a third hand holding pen/person/paper.

0.0—2.0 seconds:
Adjoining upper bodies and top edge of folder on her lap: her speaking mouth and right finger indicating already circled date; fine text belongs to earlier insert, not simultaneous face-and-microprint reading.
Real cut into this viewpoint. She indicates original stock clause and states they sold damaged stock.
Visible performance: She owns the facts.
Camera: Hold adjoining medium view after factual inserts so she states the whole division of work; only at the last thought look at him teasingly, no imagined bath cutaways.
Sound: On-camera English.
Delivery: Lila; Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering; Explain stock rights and the urgent supply gap clearly; only tease at the end, granting handling work without transferring her maternal assets; Thirty words in 13.5 seconds/about 133 wpm; six complete thoughts, steady on facts and lightly teasing only at the end without accelerating; live onscreen says: "They sold damaged stock."

2.0—4.5 seconds:
Adjoining upper bodies and top edge of folder on her lap: her speaking mouth and right finger indicating already circled date; fine text belongs to earlier insert, not simultaneous face-and-microprint reading.
Same take continues without a cut. Her right indicates restored edge as she explains buying what they can repair.
Visible performance: Confident without guaranteeing profit.
Camera: Hold adjoining medium view after factual inserts so she states the whole division of work; only at the last thought look at him teasingly, no imagined bath cutaways.
Sound: On-camera English.
Delivery: Lila; Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering; Explain stock rights and the urgent supply gap clearly; only tease at the end, granting handling work without transferring her maternal assets; Thirty words in 13.5 seconds/about 133 wpm; six complete thoughts, steady on facts and lightly teasing only at the end without accelerating; live onscreen says: "I bought what we can repair."

4.5—6.5 seconds:
Adjoining upper bodies and top edge of folder on her lap: her speaking mouth and right finger indicating already circled date; fine text belongs to earlier insert, not simultaneous face-and-microprint reading.
Same take continues without a cut. She indicates urgent-order shortage line and says Northbay needs it now.
Visible performance: Clear business rhythm.
Camera: Hold adjoining medium view after factual inserts so she states the whole division of work; only at the last thought look at him teasingly, no imagined bath cutaways.
Sound: On-camera English.
Delivery: Lila; Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering; Explain stock rights and the urgent supply gap clearly; only tease at the end, granting handling work without transferring her maternal assets; Thirty words in 13.5 seconds/about 133 wpm; six complete thoughts, steady on facts and lightly teasing only at the end without accelerating; live onscreen says: "Northbay needs it now."

6.5—8.5 seconds:
Adjoining upper bodies and top edge of folder on her lap: her speaking mouth and right finger indicating already circled date; fine text belongs to earlier insert, not simultaneous face-and-microprint reading.
Same take continues without a cut. Her right points to her existing circled sailing date, never circling it again.
Visible performance: Concrete timing.
Camera: Hold adjoining medium view after factual inserts so she states the whole division of work; only at the last thought look at him teasingly, no imagined bath cutaways.
Sound: On-camera English.
Delivery: Lila; Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering; Explain stock rights and the urgent supply gap clearly; only tease at the end, granting handling work without transferring her maternal assets; Thirty words in 13.5 seconds/about 133 wpm; six complete thoughts, steady on facts and lightly teasing only at the end without accelerating; live onscreen says: "Here's the sailing date."

8.5—10.5 seconds:
Adjoining upper bodies and top edge of folder on her lap: her speaking mouth and right finger indicating already circled date; fine text belongs to earlier insert, not simultaneous face-and-microprint reading.
Same take continues without a cut. She looks toward him and assigns repairs, orders and buyers to him.
Visible performance: Equal and definite.
Camera: Hold adjoining medium view after factual inserts so she states the whole division of work; only at the last thought look at him teasingly, no imagined bath cutaways.
Sound: On-camera English.
Delivery: Lila; Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering; Explain stock rights and the urgent supply gap clearly; only tease at the end, granting handling work without transferring her maternal assets; Thirty words in 13.5 seconds/about 133 wpm; six complete thoughts, steady on facts and lightly teasing only at the end without accelerating; live onscreen says: "Handle repairs, orders, and buyers."

10.5—13.5 seconds:
Adjoining upper bodies and top edge of folder on her lap: her speaking mouth and right finger indicating already circled date; fine text belongs to earlier insert, not simultaneous face-and-microprint reading.
Same take continues without a cut. She lightly teases that he should do more than fill baths with flowers; he smiles with his eyes while listening, not yet releasing to take pen.
Visible performance: Private teasing resolves into trust.
Camera: Hold adjoining medium view after factual inserts so she states the whole division of work; only at the last thought look at him teasingly, no imagined bath cutaways.
Sound: On-camera English.
Delivery: Lila; Adult female lower-middle register, rounded forward oral resonance, fine grain without rasp; crisp short consonants and natural vowels in General American English; steady baseline pace and clean phrase endings, not perpetual whispering; Explain stock rights and the urgent supply gap clearly; only tease at the end, granting handling work without transferring her maternal assets; Thirty words in 13.5 seconds/about 133 wpm; six complete thoughts, steady on facts and lightly teasing only at the end without accelerating; live onscreen says: "Don't just fill the bath with flowers."

13.5—16.5 seconds:
Folder on her lap and hands: his right first releases her left then takes pen her right lifts from slot; his left steadies contract edge, her freed left then steadies folder.
Real cut into this viewpoint. His right releases her left first as left steadies original edge; she lifts pen from slot with right and offers it, he takes it securely in free right before she releases; her free left pins folder edge on own lap.
Visible performance: Actually accepting responsibility.
Camera: Hold one real hand release and pen transfer; no pen preloaded into linked palms.
Sound: Soft pen-slot and hand contact.

16.5—21.0 seconds:
Empty handling field, his right pen tip actually signs while left pins page; her lap/folder edge support paper; pen then returns to same slot and right releases.
Real cut into this viewpoint. With left pinning original stock-right page, he uses right pen to sign the empty handling field once; after final stroke he returns pen to same folder slot and releases right.
Visible performance: Agreement becomes action.
Camera: Hold complete signature contact through return to pen slot; no already-signed start and no different field.
Sound: Real pen strokes and slot contact; field lettering in post.

21.0—24.0 seconds:
His hands fold same signed original along old crease, left opens own coat inner document pocket as right slides original inside; not her whole bag or a new case.
Real cut into this viewpoint. His left lifts same signed original from folder, free right helps fold along existing crease; sample and quotation stay on her lap folder, pen untouched in slot.
Visible performance: Clear handling custody.
Camera: Track 20cm with the same original from her lap edge to his own inner pocket, landing after paper is fully in and right free, without skipping safekeeping.
Sound: Real paper-fold sound.

24.0—26.5 seconds:
His hands fold same signed original along old crease, left opens own coat inner document pocket as right slides original inside; not her whole bag or a new case.
Same take continues without a cut. His left opens own coat inner document pocket; right slides same folded original fully in, releases and closes pocket, leaving her sample, quotation and itinerary.
Visible performance: Taking real work.
Camera: Track 20cm with the same original from her lap edge to his own inner pocket, landing after paper is fully in and right free, without skipping safekeeping.
Sound: Soft pocket cloth and paper.

26.5—28.0 seconds:
Her right turns quotation to itinerary while empty left rests beside her lap; his free right actually retakes her left, his left still free.
Real cut into this viewpoint. She turns itinerary page with right while his free right retakes her empty left, linked hands settling between their knees.
Visible performance: Work and intimacy coexist.
Camera: Page turn and renewed handhold use different hands; show his right to her left without anyone still holding pen.
Sound: Real page turn and hand touch.

28.0—30.0 seconds:
One itinerary corner lifts in window air; his free thin-dressed left pins same corner flat, while his-right/her-left hold continues offscreen; no demand to read all print.
Real cut into this viewpoint. Window air lifts itinerary corner; his free left gently pins it back and stays, while right still holds her left and her right steadies folder edge.
Visible performance: Useful tenderness.
Camera: Hold actual paper corner rising then pinned, ending the assignment with a small act, no invented settlement.
Sound: Paper flutter stops under palm, wheels continue.

【Lens Group E46-G05｜他自己把酒推开】

【本组时长】28.5秒

【目标模型】Seedance 2.5

【出场人物】卡西安，26岁成年男性，与自主富有完整六肢黑龙同一身份；人形深棕短发、厚眉、宽鼻根和年轻宽下颌，宽肩厚颈大掌。白软内衫、黑裤实靴、普通婚戒，私人前襟刺绣扣隐；同件高质哑黑斜襟羊毛外衣及同一海靛灰肩颈衬，按起椅背/后左臂阶段实承，不自动穿回。左掌仅原伤后的薄干包布，能正常提物，无新血或永久支具；五指、普通瞳孔，本场不出角鳞、不化龙，背伤尚未发生。 夜返普通过渡后已脱外衣搭本人椅背，起坐白衫黑裤靴，私绣扣隐；真取衣后左臂承、右空，杯推给埃文未喝。 固定声线：年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑。 埃文，成年狼人朋友与助理；短卷发、较宽鼻圆颊、琥珀眼、后枕粗短鬃，笑时短犬齿；暖灰棕皮革/粗针织松领，自然厚实成人肩腹，深灰长裤和棕色实靴，普通手能拿镜纸，无失聪旧伤。 起立门内侧仍占门口，近角杯在桌不持，不提前让道。 固定声线：成年男性中音，靠前明亮共鸣，紧实干净且轻粗纹；辅音短、元音开口自然，标准美式英语；基线利落、句尾收快，玩笑不是反派嘲讽。 朋友，无名成年贵族男性，约三十岁，短灰棕直发、软方脸与普通深眼，铁锈棕短外套、象牙亚麻内领、深裤实靴；坐小桌对侧退出路线外，普通人形，不借埃文狼犬齿冒充同一人。 坐对侧退出路线外，起右持壶，真倒酒放壶后才空手说一句。 固定声线：成年男性中音，自然胸口支撑与清楚前口腔共鸣，轻微干颗粒但不沙哑；短辅音与自然元音，标准美式英语；基线平稳爽利，问句轻抬收住，不用反派嘲音。

【场景】夜内王都酒馆另一翼吟唱房S07B；低音乐台、粗弦乐器、耐站小桌与真实墙钟，不是先前海味长宴桌。门内桌角离门框0.35m，男坐角内约0.65m；埃文立门内侧可伸手及桌角，身体还挡门。

【道具】普通本场小厚口酒杯/木柄酒壶，非父礼酒或生日两杯；酒杯起尚未倒满，本组先真倒满后推，男不喝。本人同黑外衣已搭自椅背，原签原契仍扣在衣内文袋，镜在独立内镜袋。真实墙钟看时刻不作倒计时。

【场景过渡】本组首次建立列明空间，按明确切点进入；不重复此前已完成动作。

【空间锚点 Spatial Anchor】门到男椅约1m，其他朋友在小桌两侧不占退出路；埃文门内侧可达角杯，后须真侧让。

【角色站位】男起坐着两手空，杯桌面；朋友坐对侧右壶倒杯后落壶，男右推杯给门侧埃文，空左从自椅背取衣后抱左臂。其余答话仍坐，不提前越门。

【预演机位与场内移动】小桌面杯与朋友右壶倒酒、坐男未喝的近侧脸，埃文门内身形在后；壶末实际落桌。；固定桌角看酒线真实落杯到倒满，男不接杯，朋友倒后必须放壶。 → 坐男抬眼转向真实墙钟方向，眼口和颈线为主，钟在画后可见双针形不强读时分。；固定看时眼动和肩转，钟只在方向上成立，不新增截止威胁。 → 男空右指推满杯沿桌面15cm到门侧埃文可达桌角，杯底始终桌上，未交手或饮。；锁杯底与实推路径，不用切前后两杯替换一次选择。 → 坐男左手从本人椅背提同黑外衣到左臂承住，右空，纸与镜袋都扣在衣内不掉。；固定椅背至本人左臂实取衣，桌杯留画外已稳，不凭空着衣。 → 埃文门内打趣的圆颊琥珀眼口与短犬齿，前桌角满杯在画外稳；他的身位还在门中。；用门框真实夹住友人位置，玩笑不能提前替他让门。 → 男坐着看友回答的眼口与白衫肩颈，左臂同外衣在低画外承，未起身。；固定他平常解释，不用强鳞或激昂配乐证明一句晚饭。 → 对侧朋友普通深眼和口型，铁锈棕领近景，桌外路径不占，双手空画外。；短追问留独立脸位，与埃文不同脸，不用人群口型代说。 → 男坐着看友回答的眼口与白衫肩颈，左臂同外衣在低画外承，未起身。；从普通答复前推8cm落only one的确定，仍只人形白衫脸，不变成夸张誓言。

【初始物理状态】返王都后常规旅行/各自安置物件/到店脱外衣搭本人椅背已由真实时间切省略；男坐、未喝、朋友右持壶尚未倒满。

【统一光影】暖实灯与音乐台散光，门廊比房内略暗；夜钟普通二针后期字，不魔法发光。

【风格提示词】原生9:16写实真人浪漫奇幻，保自然皮肤、布木铜重量；眼口、接触点、身体支撑与去向清楚。无黑雾残影或悬浮物。

【声音与画面硬锁】无新增醉态、药态、外遇或背伤；左旧掌仅薄干布，右推杯后空；外衣左臂承不凭空穿回，原契内袋不露给朋友。

【Lens Group E46-G05｜He chooses to pass the drink】

【Duration】28.5 seconds

【Target model】Seedance 2.5

【Cast and voice sources】Cassian, a 26-year-old adult man, the same identity as an autonomous wealthy complete six-limbed black dragon; human short dark-brown hair, thick brows, broad nose root and young broad jaw, broad shoulders, substantial neck and palms. Soft white shirt, black trousers/practical boots and ordinary wedding ring, private front embroidery buttoned out of view; same fine matte black diagonal-front coat with same sea-indigo-gray shoulder/neck lining actually rests on chair back then left arm by phase, never instantly worn. Only a thin dry dressing remains over the old left-palm injury, allowing ordinary carrying without fresh blood or a permanent support. Five fingers, ordinary pupils, no horns, scales or transformation here; the later back injury has not happened. After routine night return coat is off on own chair back; initially seated in white shirt/black trousers/boots, private embroidery buttoned out of view; actually retrieves coat onto left arm/right free, passes cup to Evan without drinking. Fixed voice: Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect. Evan, adult werewolf friend and assistant; short curls, wider nose, rounder cheeks, amber eyes and short coarse mane behind the head, small canines when smiling; warm grey-brown leather and loose coarse-knit collar, naturally sturdy adult shoulders and abdomen, dark-gray trousers and brown practical boots, ordinary working hands, no hearing loss or old injury. Initially standing inside doorway still occupying opening, corner cup on table not held, no early step aside. Fixed voice: Adult male middle register, bright forward oral resonance, compact clean tone with slight texture; short consonants and naturally open vowels in General American English; brisk baseline pace and quick endings, friendly wit rather than villainous sneering. Friend, an unnamed adult noble man about thirty with short ash-brown straight hair, soft square face and ordinary dark eyes; rust-brown short coat, ivory linen inner collar, dark trousers and practical boots. Seated opposite at small table outside exit lane, ordinary human appearance, distinct from Evan’s wolf canines. Seated opposite outside exit lane, initially jug right; actually pours and sets it down before empty-handed follow-up. Fixed voice: Adult male middle register with natural chest support and clear forward oral resonance, lightly dry texture without rasp; short consonants and natural vowels in General American English; steady direct baseline, a small question lift then settle, no villainous sneer.

【Setting】Night in capital tavern singing room S07B in another wing; low music dais, rough-string instruments, durable small table and real wall clock, distinct from earlier seafood banquet. Inside table corner is 0.35m from jamb, man sits about 0.65m inside corner; Evan stands just inside doorway able to reach corner, body still in opening.

【Props】Ordinary small thick-rim cup/wood-handled jug for this scene, not father’s gift wine or birthday pair; cup initially not yet filled, actually filled then pushed away in this group, man never drinks. His same black coat already over own chair back, signed original still fastened in its inner document pocket, own mirror in separate inner mirror pouch. Real wall clock for time check, no countdown.

【Transitions】Establish listed setting at explicit cut; do not replay completed actions.

【Spatial anchors】Door roughly 1m from his chair; other friends stay beside small table outside exit lane. Evan inside doorway can reach corner cup and later must actually step aside.

【Blocking】Man initially seated/hands free/cup on table; opposite friend pours with right then sets jug down. Man pushes cup toward door-side Evan with right, takes own coat off chair back with free left and holds it over left arm. Answers remain seated, no early exit.

【Camera and movement】Small tabletop cup and friend’s right-held pouring jug, seated man’s nearby face without drinking, Evan’s doorway body behind; jug actually returns to table at end.; Hold table corner as wine actually reaches full cup, man never takes it, friend must set jug down after pouring. -> Seated man glances toward real wall clock; eyes, mouth and neck foreground, clock behind shows two hands without demanding exact minute reading.; Hold time-check eyeline and shoulder turn, clock establishes direction without an invented deadline. -> His free right fingers push full cup 15cm along table to door-side corner within Evan’s reach, base always supported, no handoff or drinking.; Hold cup base and real pushing path, no two-cup before/after substitution. -> Seated man’s left lifts same black coat off own chair back to left forearm support, right free, paper/mirror pockets fastened inside without falling out.; Hold actual coat retrieval from chair back onto left arm; cup remains established offscreen, no instant dressing. -> Evan’s teasing round cheeks/amber eyes/mouth and small canines inside doorway; full corner cup stable offscreen, body still in opening.; Keep doorway framing his actual position; banter must not preemptively move him aside. -> Seated man answering friend, eyes/mouth and white-shirted shoulders/neck, same coat supported on left arm below frame, not risen yet.; Hold his ordinary explanation without forced scales or grand music to prove a dinner choice. -> Opposite friend’s ordinary dark eyes/mouth and rust-brown collar close, outside exit lane, empty hands offscreen.; Keep the short follow-up on a distinct face from Evan, not a crowd’s generic mouth. -> Seated man answering friend, eyes/mouth and white-shirted shoulders/neck, same coat supported on left arm below frame, not risen yet.; Push 8cm from plain answer to his certainty about only one, still a human white-shirted face rather than an exaggerated vow.

【Initial physical state】A real elapsed-time cut omits routine return travel, putting belongings away and taking coat off onto own chair back at tavern; man seated/un-drunk, friend holds jug right before cup is filled.

【Lighting】Warm practical lamps and soft dais light, corridor slightly darker than room; ordinary two-hand wall clock with post lettering, no magical glow.

【Style】Native 9:16 photoreal live-action romantic fantasy with natural skin and real cloth, wood and copper weight. Clear eyes, mouths, contacts, support and destinations. No dark fog, afterimages or floating objects.

【Audio and picture locks】No new intoxication, drugging, affair or back injury; old left palm has only thin dry dressing, right free after pushing cup. Coat supported on left arm, never instantly worn again; original stays pocketed, not shown to friends.

cn picture + English dialogue

【视频编号E46-G05｜他自己把酒推开】
【本组时长】28.5秒
【目标模型】Seedance 2.5
【出场人物】卡西安，26岁成年男性，与自主富有完整六肢黑龙同一身份；人形深棕短发、厚眉、宽鼻根和年轻宽下颌，宽肩厚颈大掌。白软内衫、黑裤实靴、普通婚戒，私人前襟刺绣扣隐；同件高质哑黑斜襟羊毛外衣及同一海靛灰肩颈衬，按起椅背/后左臂阶段实承，不自动穿回。左掌仅原伤后的薄干包布，能正常提物，无新血或永久支具；五指、普通瞳孔，本场不出角鳞、不化龙，背伤尚未发生。 夜返普通过渡后已脱外衣搭本人椅背，起坐白衫黑裤靴，私绣扣隐；真取衣后左臂承、右空，杯推给埃文未喝。 固定声线：年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑。
埃文，成年狼人朋友与助理；短卷发、较宽鼻圆颊、琥珀眼、后枕粗短鬃，笑时短犬齿；暖灰棕皮革/粗针织松领，自然厚实成人肩腹，深灰长裤和棕色实靴，普通手能拿镜纸，无失聪旧伤。 起立门内侧仍占门口，近角杯在桌不持，不提前让道。 固定声线：成年男性中音，靠前明亮共鸣，紧实干净且轻粗纹；辅音短、元音开口自然，标准美式英语；基线利落、句尾收快，玩笑不是反派嘲讽。
朋友，无名成年贵族男性，约三十岁，短灰棕直发、软方脸与普通深眼，铁锈棕短外套、象牙亚麻内领、深裤实靴；坐小桌对侧退出路线外，普通人形，不借埃文狼犬齿冒充同一人。 坐对侧退出路线外，起右持壶，真倒酒放壶后才空手说一句。 固定声线：成年男性中音，自然胸口支撑与清楚前口腔共鸣，轻微干颗粒但不沙哑；短辅音与自然元音，标准美式英语；基线平稳爽利，问句轻抬收住，不用反派嘲音。
【场景】夜内王都酒馆另一翼吟唱房S07B；低音乐台、粗弦乐器、耐站小桌与真实墙钟，不是先前海味长宴桌。门内桌角离门框0.35m，男坐角内约0.65m；埃文立门内侧可伸手及桌角，身体还挡门。
【道具】普通本场小厚口酒杯/木柄酒壶，非父礼酒或生日两杯；酒杯起尚未倒满，本组先真倒满后推，男不喝。本人同黑外衣已搭自椅背，原签原契仍扣在衣内文袋，镜在独立内镜袋。真实墙钟看时刻不作倒计时。
【场景过渡】本组首次建立列明空间，按明确切点进入；不重复此前已完成动作。
【空间锚点 Spatial Anchor】门到男椅约1m，其他朋友在小桌两侧不占退出路；埃文门内侧可达角杯，后须真侧让。
【角色站位】男起坐着两手空，杯桌面；朋友坐对侧右壶倒杯后落壶，男右推杯给门侧埃文，空左从自椅背取衣后抱左臂。其余答话仍坐，不提前越门。
【预演机位与场内移动】小桌面杯与朋友右壶倒酒、坐男未喝的近侧脸，埃文门内身形在后；壶末实际落桌。；固定桌角看酒线真实落杯到倒满，男不接杯，朋友倒后必须放壶。 → 坐男抬眼转向真实墙钟方向，眼口和颈线为主，钟在画后可见双针形不强读时分。；固定看时眼动和肩转，钟只在方向上成立，不新增截止威胁。 → 男空右指推满杯沿桌面15cm到门侧埃文可达桌角，杯底始终桌上，未交手或饮。；锁杯底与实推路径，不用切前后两杯替换一次选择。 → 坐男左手从本人椅背提同黑外衣到左臂承住，右空，纸与镜袋都扣在衣内不掉。；固定椅背至本人左臂实取衣，桌杯留画外已稳，不凭空着衣。 → 埃文门内打趣的圆颊琥珀眼口与短犬齿，前桌角满杯在画外稳；他的身位还在门中。；用门框真实夹住友人位置，玩笑不能提前替他让门。 → 男坐着看友回答的眼口与白衫肩颈，左臂同外衣在低画外承，未起身。；固定他平常解释，不用强鳞或激昂配乐证明一句晚饭。 → 对侧朋友普通深眼和口型，铁锈棕领近景，桌外路径不占，双手空画外。；短追问留独立脸位，与埃文不同脸，不用人群口型代说。 → 男坐着看友回答的眼口与白衫肩颈，左臂同外衣在低画外承，未起身。；从普通答复前推8cm落only one的确定，仍只人形白衫脸，不变成夸张誓言。
【初始物理状态】返王都后常规旅行/各自安置物件/到店脱外衣搭本人椅背已由真实时间切省略；男坐、未喝、朋友右持壶尚未倒满。
【统一光影】暖实灯与音乐台散光，门廊比房内略暗；夜钟普通二针后期字，不魔法发光。
【风格提示词】原生9:16写实真人浪漫奇幻，保自然皮肤、布木铜重量；眼口、接触点、身体支撑与去向清楚。无黑雾残影或悬浮物。
【声音与画面硬锁】无新增醉态、药态、外遇或背伤；左旧掌仅薄干布，右推杯后空；外衣左臂承不凭空穿回，原契内袋不露给朋友。

0.0—3.0秒：
小桌面杯与朋友右壶倒酒、坐男未喝的近侧脸，埃文门内身形在后；壶末实际落桌。
真实切镜进入本机位。真切至王都夜吟唱房，朋友右壶给男桌前小杯倒满，截流后把壶底放回桌上并松右；男坐着未碰杯。
画面表演：旧习惯的邀请。
运镜：固定桌角看酒线真实落杯到倒满，男不接杯，朋友倒后必须放壶。
声音：酒线落杯、壶底真响，低弦乐无词。

3.0—5.0秒：
坐男抬眼转向真实墙钟方向，眼口和颈线为主，钟在画后可见双针形不强读时分。
真实切镜进入本机位。他没拿酒，抬眼看墙上普通时钟一眼，目光再落回刚满杯。
画面表演：自己选择优先。
运镜：固定看时眼动和肩转，钟只在方向上成立，不新增截止威胁。
声音：钟普通轻走声，低弦乐。

5.0—7.0秒：
男空右指推满杯沿桌面15cm到门侧埃文可达桌角，杯底始终桌上，未交手或饮。
真实切镜进入本机位。他右指接杯外壁，将同满杯沿桌推15cm到埃文近侧桌角，停稳后松右。
画面表演：主动改变。
运镜：锁杯底与实推路径，不用切前后两杯替换一次选择。
声音：杯底木面轻滑止住。

7.0—9.0秒：
坐男左手从本人椅背提同黑外衣到左臂承住，右空，纸与镜袋都扣在衣内不掉。
真实切镜进入本机位。他左抓同外衣领提离本人椅背，衣身拢在左臂承住；右手空在本人膝旁，仍坐。
画面表演：行动已先于答话。
运镜：固定椅背至本人左臂实取衣，桌杯留画外已稳，不凭空着衣。
声音：衣料脱椅背实声。

9.0—12.0秒：
埃文门内打趣的圆颊琥珀眼口与短犬齿，前桌角满杯在画外稳；他的身位还在门中。
真实切镜进入本机位。埃文看一眼送到近角的杯，再看男打趣败家为荣。
画面表演：熟友的逗。
运镜：用门框真实夹住友人位置，玩笑不能提前替他让门。
声音：英语现场。
读法：埃文；成年男性中音，靠前明亮共鸣，紧实干净且轻粗纹；辅音短、元音开口自然，标准美式英语；基线利落、句尾收快，玩笑不是反派嘲讽；看被推到自己面前的满杯再打趣朋友，非羞辱妻子；十二词5.5秒约131词/分，rules轻抬，友好利落；现场开口说：“We've always taken pride in wasting money.”

12.0—14.5秒：
埃文门内打趣的圆颊琥珀眼口与短犬齿，前桌角满杯在画外稳；他的身位还在门中。
同一take继续，不切镜。他轻抬问现在要改规矩，身体仍门内不伸手夺衣。
画面表演：好奇含笑。
运镜：用门框真实夹住友人位置，玩笑不能提前替他让门。
声音：英语现场。
读法：埃文；成年男性中音，靠前明亮共鸣，紧实干净且轻粗纹；辅音短、元音开口自然，标准美式英语；基线利落、句尾收快，玩笑不是反派嘲讽；看被推到自己面前的满杯再打趣朋友，非羞辱妻子；十二词5.5秒约131词/分，rules轻抬，友好利落；现场开口说：“Now you're changing the rules?”

14.5—17.5秒：
男坐着看友回答的眼口与白衫肩颈，左臂同外衣在低画外承，未起身。
真实切镜进入本机位。他答她今天还没好好吃饭，神态自然。
画面表演：体贴无委屈。
运镜：固定他平常解释，不用强鳞或激昂配乐证明一句晚饭。
声音：英语现场。
读法：卡西安；年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑；拿着外衣站起前答得自然，晚饭是自主选择；十四词6秒约140词/分，两意群间短停，her落稳；现场开口说：“She hasn't had a proper meal today.”

17.5—20.5秒：
男坐着看友回答的眼口与白衫肩颈，左臂同外衣在低画外承，未起身。
同一take继续，不切镜。他接说回去和她一起吃，不把人称为等服务。
画面表演：选择清楚。
运镜：固定他平常解释，不用强鳞或激昂配乐证明一句晚饭。
声音：英语现场。
读法：卡西安；年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑；拿着外衣站起前答得自然，晚饭是自主选择；十四词6秒约140词/分，两意群间短停，her落稳；现场开口说：“I'm going home to eat with her.”

20.5—22.5秒：
对侧朋友普通深眼和口型，铁锈棕领近景，桌外路径不占，双手空画外。
真实切镜进入本机位。朋友坐对侧问厨子不会做吗，壶已经桌放、双手空。
画面表演：普通疑问。
运镜：短追问留独立脸位，与埃文不同脸，不用人群口型代说。
声音：英语现场。
读法：朋友；成年男性中音，自然胸口支撑与清楚前口腔共鸣，轻微干颗粒但不沙哑；短辅音与自然元音，标准美式英语；基线平稳爽利，问句轻抬收住，不用反派嘲音；坐在退出走道外，像熟朋友追一句，不新拦人；五词2秒约150词/分，普通提问，不讥笑；现场开口说：“Can't the cook handle that?”

22.5—24.5秒：
男坐着看友回答的眼口与白衫肩颈，左臂同外衣在低画外承，未起身。
真实切镜进入本机位。他答不缺会做饭的人，坐着不急着对友发火。
画面表演：坦然。
运镜：从普通答复前推8cm落only one的确定，仍只人形白衫脸，不变成夸张誓言。
声音：英语现场。
读法：卡西安；年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑；转向朋友答完再起身，喜悦确定，不把妻子当佣人；十四词6秒约140词/分，one重音，最后home放松；现场开口说：“Plenty of people can cook.”

24.5—28.5秒：
男坐着看友回答的眼口与白衫肩颈，左臂同外衣在低画外承，未起身。
同一take继续，不切镜。他说等他回去的只有一个，眼里笑落稳，然后准备起身。
画面表演：喜悦而确定。
运镜：从普通答复前推8cm落only one的确定，仍只人形白衫脸，不变成夸张誓言。
声音：英语现场。
读法：卡西安；年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑；转向朋友答完再起身，喜悦确定，不把妻子当佣人；十四词6秒约140词/分，one重音，最后home放松；现场开口说：“Only one is waiting for me to come home.”

en picture + English dialogue

【Video E46-G05 | He chooses to pass the drink】
【Duration】28.5 seconds
【Target model】Seedance 2.5
【Cast and voice sources】Cassian, a 26-year-old adult man, the same identity as an autonomous wealthy complete six-limbed black dragon; human short dark-brown hair, thick brows, broad nose root and young broad jaw, broad shoulders, substantial neck and palms. Soft white shirt, black trousers/practical boots and ordinary wedding ring, private front embroidery buttoned out of view; same fine matte black diagonal-front coat with same sea-indigo-gray shoulder/neck lining actually rests on chair back then left arm by phase, never instantly worn. Only a thin dry dressing remains over the old left-palm injury, allowing ordinary carrying without fresh blood or a permanent support. Five fingers, ordinary pupils, no horns, scales or transformation here; the later back injury has not happened. After routine night return coat is off on own chair back; initially seated in white shirt/black trousers/boots, private embroidery buttoned out of view; actually retrieves coat onto left arm/right free, passes cup to Evan without drinking. Fixed voice: Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect.
Evan, adult werewolf friend and assistant; short curls, wider nose, rounder cheeks, amber eyes and short coarse mane behind the head, small canines when smiling; warm grey-brown leather and loose coarse-knit collar, naturally sturdy adult shoulders and abdomen, dark-gray trousers and brown practical boots, ordinary working hands, no hearing loss or old injury. Initially standing inside doorway still occupying opening, corner cup on table not held, no early step aside. Fixed voice: Adult male middle register, bright forward oral resonance, compact clean tone with slight texture; short consonants and naturally open vowels in General American English; brisk baseline pace and quick endings, friendly wit rather than villainous sneering.
Friend, an unnamed adult noble man about thirty with short ash-brown straight hair, soft square face and ordinary dark eyes; rust-brown short coat, ivory linen inner collar, dark trousers and practical boots. Seated opposite at small table outside exit lane, ordinary human appearance, distinct from Evan’s wolf canines. Seated opposite outside exit lane, initially jug right; actually pours and sets it down before empty-handed follow-up. Fixed voice: Adult male middle register with natural chest support and clear forward oral resonance, lightly dry texture without rasp; short consonants and natural vowels in General American English; steady direct baseline, a small question lift then settle, no villainous sneer.
【Setting】Night in capital tavern singing room S07B in another wing; low music dais, rough-string instruments, durable small table and real wall clock, distinct from earlier seafood banquet. Inside table corner is 0.35m from jamb, man sits about 0.65m inside corner; Evan stands just inside doorway able to reach corner, body still in opening.
【Props】Ordinary small thick-rim cup/wood-handled jug for this scene, not father’s gift wine or birthday pair; cup initially not yet filled, actually filled then pushed away in this group, man never drinks. His same black coat already over own chair back, signed original still fastened in its inner document pocket, own mirror in separate inner mirror pouch. Real wall clock for time check, no countdown.
【Transitions】Establish listed setting at explicit cut; do not replay completed actions.
【Spatial anchors】Door roughly 1m from his chair; other friends stay beside small table outside exit lane. Evan inside doorway can reach corner cup and later must actually step aside.
【Blocking】Man initially seated/hands free/cup on table; opposite friend pours with right then sets jug down. Man pushes cup toward door-side Evan with right, takes own coat off chair back with free left and holds it over left arm. Answers remain seated, no early exit.
【Camera and movement】Small tabletop cup and friend’s right-held pouring jug, seated man’s nearby face without drinking, Evan’s doorway body behind; jug actually returns to table at end.; Hold table corner as wine actually reaches full cup, man never takes it, friend must set jug down after pouring. -> Seated man glances toward real wall clock; eyes, mouth and neck foreground, clock behind shows two hands without demanding exact minute reading.; Hold time-check eyeline and shoulder turn, clock establishes direction without an invented deadline. -> His free right fingers push full cup 15cm along table to door-side corner within Evan’s reach, base always supported, no handoff or drinking.; Hold cup base and real pushing path, no two-cup before/after substitution. -> Seated man’s left lifts same black coat off own chair back to left forearm support, right free, paper/mirror pockets fastened inside without falling out.; Hold actual coat retrieval from chair back onto left arm; cup remains established offscreen, no instant dressing. -> Evan’s teasing round cheeks/amber eyes/mouth and small canines inside doorway; full corner cup stable offscreen, body still in opening.; Keep doorway framing his actual position; banter must not preemptively move him aside. -> Seated man answering friend, eyes/mouth and white-shirted shoulders/neck, same coat supported on left arm below frame, not risen yet.; Hold his ordinary explanation without forced scales or grand music to prove a dinner choice. -> Opposite friend’s ordinary dark eyes/mouth and rust-brown collar close, outside exit lane, empty hands offscreen.; Keep the short follow-up on a distinct face from Evan, not a crowd’s generic mouth. -> Seated man answering friend, eyes/mouth and white-shirted shoulders/neck, same coat supported on left arm below frame, not risen yet.; Push 8cm from plain answer to his certainty about only one, still a human white-shirted face rather than an exaggerated vow.
【Initial physical state】A real elapsed-time cut omits routine return travel, putting belongings away and taking coat off onto own chair back at tavern; man seated/un-drunk, friend holds jug right before cup is filled.
【Lighting】Warm practical lamps and soft dais light, corridor slightly darker than room; ordinary two-hand wall clock with post lettering, no magical glow.
【Style】Native 9:16 photoreal live-action romantic fantasy with natural skin and real cloth, wood and copper weight. Clear eyes, mouths, contacts, support and destinations. No dark fog, afterimages or floating objects.
【Audio and picture locks】No new intoxication, drugging, affair or back injury; old left palm has only thin dry dressing, right free after pushing cup. Coat supported on left arm, never instantly worn again; original stays pocketed, not shown to friends.

0.0—3.0 seconds:
Small tabletop cup and friend’s right-held pouring jug, seated man’s nearby face without drinking, Evan’s doorway body behind; jug actually returns to table at end.
Real cut into this viewpoint. Real cut to capital singing room at night; friend pours with right-held jug into small cup before man, stops at full, sets jug base on table and releases right; man stays seated without touching cup.
Visible performance: Invitation to the old habit.
Camera: Hold table corner as wine actually reaches full cup, man never takes it, friend must set jug down after pouring.
Sound: Real pouring/jug-base sound, low strings without words.

3.0—5.0 seconds:
Seated man glances toward real wall clock; eyes, mouth and neck foreground, clock behind shows two hands without demanding exact minute reading.
Real cut into this viewpoint. Without taking drink he glances at ordinary wall clock, then looks back to newly filled cup.
Visible performance: Choosing his priority.
Camera: Hold time-check eyeline and shoulder turn, clock establishes direction without an invented deadline.
Sound: Ordinary soft clock ticking and low strings.

5.0—7.0 seconds:
His free right fingers push full cup 15cm along table to door-side corner within Evan’s reach, base always supported, no handoff or drinking.
Real cut into this viewpoint. His right fingers touch cup wall and push same full cup 15cm along table to corner nearest Evan, releasing only once stable.
Visible performance: Active change.
Camera: Hold cup base and real pushing path, no two-cup before/after substitution.
Sound: Cup base slides and stops on wood.

7.0—9.0 seconds:
Seated man’s left lifts same black coat off own chair back to left forearm support, right free, paper/mirror pockets fastened inside without falling out.
Real cut into this viewpoint. His left takes same coat collar off own chair back and gathers coat onto left arm; right stays free beside his knee, he is still seated.
Visible performance: Action precedes his explanation.
Camera: Hold actual coat retrieval from chair back onto left arm; cup remains established offscreen, no instant dressing.
Sound: Real cloth leaving chair back.

9.0—12.0 seconds:
Evan’s teasing round cheeks/amber eyes/mouth and small canines inside doorway; full corner cup stable offscreen, body still in opening.
Real cut into this viewpoint. Evan glances toward cup at near corner then teases man about pride in wasting money.
Visible performance: A friend’s teasing.
Camera: Keep doorway framing his actual position; banter must not preemptively move him aside.
Sound: On-camera English.
Delivery: Evan; Adult male middle register, bright forward oral resonance, compact clean tone with slight texture; short consonants and naturally open vowels in General American English; brisk baseline pace and quick endings, friendly wit rather than villainous sneering; Glance at the full cup pushed to him and tease his friend, without insulting the wife; Twelve words in 5.5 seconds/about 131 wpm, a light lift on rules, friendly and brisk; live onscreen says: "We've always taken pride in wasting money."

12.0—14.5 seconds:
Evan’s teasing round cheeks/amber eyes/mouth and small canines inside doorway; full corner cup stable offscreen, body still in opening.
Same take continues without a cut. He lightly asks about changing rules, body still in doorway without grabbing coat.
Visible performance: Curious amusement.
Camera: Keep doorway framing his actual position; banter must not preemptively move him aside.
Sound: On-camera English.
Delivery: Evan; Adult male middle register, bright forward oral resonance, compact clean tone with slight texture; short consonants and naturally open vowels in General American English; brisk baseline pace and quick endings, friendly wit rather than villainous sneering; Glance at the full cup pushed to him and tease his friend, without insulting the wife; Twelve words in 5.5 seconds/about 131 wpm, a light lift on rules, friendly and brisk; live onscreen says: "Now you're changing the rules?"

14.5—17.5 seconds:
Seated man answering friend, eyes/mouth and white-shirted shoulders/neck, same coat supported on left arm below frame, not risen yet.
Real cut into this viewpoint. He says she has not had a proper meal today, naturally.
Visible performance: Care without grievance.
Camera: Hold his ordinary explanation without forced scales or grand music to prove a dinner choice.
Sound: On-camera English.
Delivery: Cassian; Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect; Answer naturally before standing with his coat; dinner is his own choice; Fourteen words in six seconds/about 140 wpm; a brief thought break, ground her; live onscreen says: "She hasn't had a proper meal today."

17.5—20.5 seconds:
Seated man answering friend, eyes/mouth and white-shirted shoulders/neck, same coat supported on left arm below frame, not risen yet.
Same take continues without a cut. He adds that he is going home to eat with her, not to be served.
Visible performance: Clear choice.
Camera: Hold his ordinary explanation without forced scales or grand music to prove a dinner choice.
Sound: On-camera English.
Delivery: Cassian; Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect; Answer naturally before standing with his coat; dinner is his own choice; Fourteen words in six seconds/about 140 wpm; a brief thought break, ground her; live onscreen says: "I'm going home to eat with her."

20.5—22.5 seconds:
Opposite friend’s ordinary dark eyes/mouth and rust-brown collar close, outside exit lane, empty hands offscreen.
Real cut into this viewpoint. Friend seated opposite asks whether cook can handle it; jug already set on table, hands empty.
Visible performance: Ordinary question.
Camera: Keep the short follow-up on a distinct face from Evan, not a crowd’s generic mouth.
Sound: On-camera English.
Delivery: Friend; Adult male middle register with natural chest support and clear forward oral resonance, lightly dry texture without rasp; short consonants and natural vowels in General American English; steady direct baseline, a small question lift then settle, no villainous sneer; Stay seated outside the exit lane and ask a familiar follow-up, without becoming a second obstruction; Five words in two seconds/about 150 wpm, an ordinary question without sneering; live onscreen says: "Can't the cook handle that?"

22.5—24.5 seconds:
Seated man answering friend, eyes/mouth and white-shirted shoulders/neck, same coat supported on left arm below frame, not risen yet.
Real cut into this viewpoint. He answers that plenty can cook, staying seated without snapping at friend.
Visible performance: At ease.
Camera: Push 8cm from plain answer to his certainty about only one, still a human white-shirted face rather than an exaggerated vow.
Sound: On-camera English.
Delivery: Cassian; Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect; Answer his friend before rising, pleased and sure, without treating his wife as staff; Fourteen words in six seconds/about 140 wpm, stress one and relax into home; live onscreen says: "Plenty of people can cook."

24.5—28.5 seconds:
Seated man answering friend, eyes/mouth and white-shirted shoulders/neck, same coat supported on left arm below frame, not risen yet.
Same take continues without a cut. He says only one person is waiting for him to come home, eyes smiling and settling, then prepares to rise.
Visible performance: Pleased and sure.
Camera: Push 8cm from plain answer to his certainty about only one, still a human white-shirted face rather than an exaggerated vow.
Sound: On-camera English.
Delivery: Cassian; Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect; Answer his friend before rising, pleased and sure, without treating his wife as staff; Fourteen words in six seconds/about 140 wpm, stress one and relax into home; live onscreen says: "Only one is waiting for me to come home."

【Lens Group E46-G06｜给她留声，真的下楼】

【本组时长】24.0秒

【目标模型】Seedance 2.5

【出场人物】卡西安，26岁成年男性，与自主富有完整六肢黑龙同一身份；人形深棕短发、厚眉、宽鼻根和年轻宽下颌，宽肩厚颈大掌。白软内衫、黑裤实靴、普通婚戒，私人前襟刺绣扣隐；同件高质哑黑斜襟羊毛外衣及海靛灰肩颈衬现由左臂承，不自动穿回。左掌仅原伤后的薄干包布，能正常提物，无新血或永久支具；五指、普通瞳孔，本场不出角鳞、不化龙，背伤尚未发生。 起仍白衫坐、同衣左臂右空；起身真过门，左衣右镜一次取开留声停收，空右才扶栏下楼。 固定声线：年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑。 埃文，成年狼人朋友与助理；短卷发、较宽鼻圆颊、琥珀眼、后枕粗短鬃，笑时短犬齿；暖灰棕皮革/粗针织松领，自然厚实成人肩腹，深灰长裤和棕色实靴，普通手能拿镜纸，无失聪旧伤。 起门内挡口，真被拍肩后侧至门左壁，后留室内不跟。 固定声线：成年男性中音，靠前明亮共鸣，紧实干净且轻粗纹；辅音短、元音开口自然，标准美式英语；基线利落、句尾收快，玩笑不是反派嘲讽。 朋友，无名成年贵族男性，约三十岁，短灰棕直发、软方脸与普通深眼，铁锈棕短外套、象牙亚麻内领、深裤实靴；坐小桌对侧退出路线外，普通人形，不借埃文狼犬齿冒充同一人。 桌对侧坐，双手空，只无词起哄，杯壶不再拿。 固定声线：成年男性中音，自然胸口支撑与清楚前口腔共鸣，轻微干颗粒但不沙哑；短辅音与自然元音，标准美式英语；基线平稳爽利，问句轻抬收住，不用反派嘲音。

【场景】同吟唱房门内桌角→1.1m门净宽→5m普通暖木廊→同一可见楼梯。埃文起仍门内，真侧让后男才过门；下楼前镜已收入同衣内镜袋。

【道具】同外衣已男左臂承，原货权原契仍扣在独立内文袋；黑铜9×7cm八角自镜在另一12×10cm镜袋，男右实取/开/留声/停/收。桌角满杯与桌上壶保持，不再饮。

【场景过渡】本组首次建立列明空间，按明确切点进入；不重复此前已完成动作。

【空间锚点 Spatial Anchor】男坐离门1m，埃文门内阻1.1m口；侧让到门左壁后净宽≥0.9m，男沿5m廊去楼梯。

【角色站位】男起左臂衣右空，真站走到门，右拍埃文近肩，埃文真侧让；男过门不回头，右从左臂同衣内镜袋取镜开并按留声，仍左衣。真停录合盖收入扣好，右空后下楼。

【预演机位与场内移动】男双脚从椅前实站稳，左臂承同衣，右空；桌杯不再碰，埃文门内后景。；固定全身保椅离重、两脚落稳，不能从坐脸直接跳到门边。 → 男左衣右空从椅到门前真实1m路，埃文仍挡门，朋友保持桌侧不占线。；侧伴1m真实短路，落男停埃文臂距，不能穿过尚未让的门。 → 男空右真轻拍埃文近肩并松，埃文侧步靠门左壁让≥0.8m净口；两人脚与门框可见。；门侧全身固定让肩接触与让路脚步都实见，不用切后已空门代替。 → 男左衣从真净门口走过的侧脸和肩，嘴角笑朝前；埃文靠壁、朋友桌侧后景轻起哄，不抢嘴。；侧伴出门1m落廊，不反摇回朋友，不让他回头补反应。 → 走廊中男左臂同衣承稳，空右从其独立内镜袋取黑铜八角自镜、拇指开铰盖；原契另袋扣闭。；同向伴走1.2m，镜和右手保持胸腰可见，不跳到已开镜。 → 行走中男右持同黑铜镜、拇指实际按自留声点，晶点由暗到亮一次；不出现妻影或定位。；同速伴右掌0.6m保拇指真按与一次起录，非画外自动开始。 → 男行走中的说话眼口，右镜在胸前低边，左衣画外实承；目光给自镜而非幻想妻在廊。；与他同速伴行0.9m保真实留声口型，前景镜不遮嘴，落eat together。 → 男楼梯口稳停，右拇指停同镜晶点灭、合盖贴掌，再入左臂同衣内镜袋扣实；右手末空。；锁一次实际停录合盖收掌入袋，原契另一扣袋不触，收好后才下阶。 → 同木梯顶至下五级真实脚路、男左臂同衣与空右手，楼梯扶栏一侧可用，不要求镜还在手。；侧机随真实五级脚路下移80cm，落他继续向下的肩背，不回切酒桌。

【初始物理状态】男仍坐、左衣右空，话已答完；埃文仍门内，朋友坐对侧。

【统一光影】室内暖灯延续木廊小壁灯，镜小晶点只示真实留声启停，不投定位或对端人。

【风格提示词】原生9:16写实真人浪漫奇幻，保自然皮肤、布木铜重量；眼口、接触点、身体支撑与去向清楚。无黑雾残影或悬浮物。

【声音与画面硬锁】妻不在酒馆可见域，镜只已登记她端留声不自动答；原契不从镜袋变出，收镜后才空右下阶；朋友起哄无新增可辨词。

【Lens Group E46-G06｜Leave her a message and actually leave】

【Duration】24.0 seconds

【Target model】Seedance 2.5

【Cast and voice sources】Cassian, a 26-year-old adult man, the same identity as an autonomous wealthy complete six-limbed black dragon; human short dark-brown hair, thick brows, broad nose root and young broad jaw, broad shoulders, substantial neck and palms. Soft white shirt, black trousers/practical boots and ordinary wedding ring, private front embroidery buttoned out of view; same fine matte black diagonal-front coat/sea-indigo-gray shoulder-neck lining supported on left arm, never instantly worn. Only a thin dry dressing remains over the old left-palm injury, allowing ordinary carrying without fresh blood or a permanent support. Five fingers, ordinary pupils, no horns, scales or transformation here; the later back injury has not happened. Initially still seated in white shirt/same coat left/right free; actually rises/passes door, coat left/right retrieves-opens-records-stops-stows mirror once, free right then rail for stairs. Fixed voice: Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect. Evan, adult werewolf friend and assistant; short curls, wider nose, rounder cheeks, amber eyes and short coarse mane behind the head, small canines when smiling; warm grey-brown leather and loose coarse-knit collar, naturally sturdy adult shoulders and abdomen, dark-gray trousers and brown practical boots, ordinary working hands, no hearing loss or old injury. Initially blocking doorway, actually steps to left wall after shoulder pat, then stays inside. Fixed voice: Adult male middle register, bright forward oral resonance, compact clean tone with slight texture; short consonants and naturally open vowels in General American English; brisk baseline pace and quick endings, friendly wit rather than villainous sneering. Friend, an unnamed adult noble man about thirty with short ash-brown straight hair, soft square face and ordinary dark eyes; rust-brown short coat, ivory linen inner collar, dark trousers and practical boots. Seated opposite at small table outside exit lane, ordinary human appearance, distinct from Evan’s wolf canines. Seated opposite table/hands empty, only wordless cheering, no more cup or jug handling. Fixed voice: Adult male middle register with natural chest support and clear forward oral resonance, lightly dry texture without rasp; short consonants and natural vowels in General American English; steady direct baseline, a small question lift then settle, no villainous sneer.

【Setting】Same singing-room table corner→1.1m doorway→5m ordinary warm-wood corridor→same visible stair. Evan initially still inside opening, man passes only after actual step aside; mirror stowed in same coat’s inner pouch before descending.

【Props】Same coat already on his left arm, original stock-right contract fastened in separate inner document pocket; own black-copper 9×7cm octagonal mirror in another 12×10cm pouch, actually taken/opened/recorded/stopped/stowed with right. Full cup at table corner and jug stay there, no drinking.

【Transitions】Establish listed setting at explicit cut; do not replay completed actions.

【Spatial anchors】Seated man 1m from doorway, Evan occupies 1.1m opening; after stepping to left door wall leave at least 0.9m clear, man follows 5m corridor to stair.

【Blocking】Initially coat left/right free; actually rise/approach, right taps Evan’s near shoulder and Evan really steps aside. Pass without looking back; right retrieves mirror from left-arm coat pouch/opens/starts recording, coat remains left. Actually stop/close/stow/fasten, right free before stairs.

【Camera and movement】His feet actually rise from chair to stand, same coat on left arm/right free; table cup untouched, Evan inside doorway behind.; Hold full body to show unloading seat and planted feet, no seated-face jump to doorway. -> Man coat left/right free walks actual 1m chair-to-door route, Evan still blocks doorway, friend stays by table outside path.; Track alongside the actual 1m route, landing within arm’s reach of Evan without passing through an uncleared opening. -> Man’s free right actually pats Evan’s near shoulder and releases; Evan steps aside to left door wall leaving ≥0.8m clear, both sets of feet and jamb visible.; Full-body fixed doorway side view keeps shoulder contact and clearing step visible rather than cutting to an already empty door. -> His side face/shoulders pass actually cleared doorway with coat left, smile directed forward; Evan at wall and friend at table cheer lightly behind without stealing speaking focus.; Track 1m alongside exit into corridor, no pan back to friends and no backward look. -> In corridor his left arm supports same coat, free right retrieves own black-copper octagonal mirror from separate inner pouch and thumbs hinged lid open; original fastened in other pocket.; Track 1.2m in same walking direction, keeping mirror/right hand at chest-waist level visible, no jump to open mirror. -> While walking, his right holds same black-copper mirror/thumb actually presses its message point, crystal mark dark→lit once; no wife image or location.; Track 0.6m at his hand’s speed to show actual thumb press and one recording start, never automatic offscreen start. -> His walking speaking eyes/mouth, right-held mirror at chest lower edge, coat actually supported offscreen left; gaze to own mirror rather than imagined wife in hall.; Track 0.9m at his pace for real message lip-sync, mirror never blocks mouth, landing on eat together. -> He pauses steadily at stair top, right thumb stops same mirror/mark dark, closes lid against palm then stows/fastens in same left-arm coat inner mirror pouch; right finally free.; Hold one actual stop/close/palm-stow/pouch fastening, leave separate original pocket untouched and descend only afterward. -> Same wooden stair top through five actual steps, coat on left arm/right empty, handrail available at one side, mirror no longer in hand.; Side camera descends 80cm with five actual steps, landing on his continuing downward shoulders/back, no return to drinking table.

【Initial physical state】Man still seated/coat left/right free, answer finished; Evan still inside opening, friend seated opposite.

【Lighting】Warm room lamps continue into corridor sconces; tiny mirror crystal mark only shows real recording start/stop, no location display or remote-person projection.

【Style】Native 9:16 photoreal live-action romantic fantasy with natural skin and real cloth, wood and copper weight. Clear eyes, mouths, contacts, support and destinations. No dark fog, afterimages or floating objects.

【Audio and picture locks】Wife not visible in tavern; message only to her registered endpoint, no automatic reply. Original never appears from mirror pouch; stow before free-right stair descent; friends’ cheering has no added intelligible words.

cn picture + English dialogue

【视频编号E46-G06｜给她留声，真的下楼】
【本组时长】24.0秒
【目标模型】Seedance 2.5
【出场人物】卡西安，26岁成年男性，与自主富有完整六肢黑龙同一身份；人形深棕短发、厚眉、宽鼻根和年轻宽下颌，宽肩厚颈大掌。白软内衫、黑裤实靴、普通婚戒，私人前襟刺绣扣隐；同件高质哑黑斜襟羊毛外衣及海靛灰肩颈衬现由左臂承，不自动穿回。左掌仅原伤后的薄干包布，能正常提物，无新血或永久支具；五指、普通瞳孔，本场不出角鳞、不化龙，背伤尚未发生。 起仍白衫坐、同衣左臂右空；起身真过门，左衣右镜一次取开留声停收，空右才扶栏下楼。 固定声线：年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑。
埃文，成年狼人朋友与助理；短卷发、较宽鼻圆颊、琥珀眼、后枕粗短鬃，笑时短犬齿；暖灰棕皮革/粗针织松领，自然厚实成人肩腹，深灰长裤和棕色实靴，普通手能拿镜纸，无失聪旧伤。 起门内挡口，真被拍肩后侧至门左壁，后留室内不跟。 固定声线：成年男性中音，靠前明亮共鸣，紧实干净且轻粗纹；辅音短、元音开口自然，标准美式英语；基线利落、句尾收快，玩笑不是反派嘲讽。
朋友，无名成年贵族男性，约三十岁，短灰棕直发、软方脸与普通深眼，铁锈棕短外套、象牙亚麻内领、深裤实靴；坐小桌对侧退出路线外，普通人形，不借埃文狼犬齿冒充同一人。 桌对侧坐，双手空，只无词起哄，杯壶不再拿。 固定声线：成年男性中音，自然胸口支撑与清楚前口腔共鸣，轻微干颗粒但不沙哑；短辅音与自然元音，标准美式英语；基线平稳爽利，问句轻抬收住，不用反派嘲音。
【场景】同吟唱房门内桌角→1.1m门净宽→5m普通暖木廊→同一可见楼梯。埃文起仍门内，真侧让后男才过门；下楼前镜已收入同衣内镜袋。
【道具】同外衣已男左臂承，原货权原契仍扣在独立内文袋；黑铜9×7cm八角自镜在另一12×10cm镜袋，男右实取/开/留声/停/收。桌角满杯与桌上壶保持，不再饮。
【场景过渡】本组首次建立列明空间，按明确切点进入；不重复此前已完成动作。
【空间锚点 Spatial Anchor】男坐离门1m，埃文门内阻1.1m口；侧让到门左壁后净宽≥0.9m，男沿5m廊去楼梯。
【角色站位】男起左臂衣右空，真站走到门，右拍埃文近肩，埃文真侧让；男过门不回头，右从左臂同衣内镜袋取镜开并按留声，仍左衣。真停录合盖收入扣好，右空后下楼。
【预演机位与场内移动】男双脚从椅前实站稳，左臂承同衣，右空；桌杯不再碰，埃文门内后景。；固定全身保椅离重、两脚落稳，不能从坐脸直接跳到门边。 → 男左衣右空从椅到门前真实1m路，埃文仍挡门，朋友保持桌侧不占线。；侧伴1m真实短路，落男停埃文臂距，不能穿过尚未让的门。 → 男空右真轻拍埃文近肩并松，埃文侧步靠门左壁让≥0.8m净口；两人脚与门框可见。；门侧全身固定让肩接触与让路脚步都实见，不用切后已空门代替。 → 男左衣从真净门口走过的侧脸和肩，嘴角笑朝前；埃文靠壁、朋友桌侧后景轻起哄，不抢嘴。；侧伴出门1m落廊，不反摇回朋友，不让他回头补反应。 → 走廊中男左臂同衣承稳，空右从其独立内镜袋取黑铜八角自镜、拇指开铰盖；原契另袋扣闭。；同向伴走1.2m，镜和右手保持胸腰可见，不跳到已开镜。 → 行走中男右持同黑铜镜、拇指实际按自留声点，晶点由暗到亮一次；不出现妻影或定位。；同速伴右掌0.6m保拇指真按与一次起录，非画外自动开始。 → 男行走中的说话眼口，右镜在胸前低边，左衣画外实承；目光给自镜而非幻想妻在廊。；与他同速伴行0.9m保真实留声口型，前景镜不遮嘴，落eat together。 → 男楼梯口稳停，右拇指停同镜晶点灭、合盖贴掌，再入左臂同衣内镜袋扣实；右手末空。；锁一次实际停录合盖收掌入袋，原契另一扣袋不触，收好后才下阶。 → 同木梯顶至下五级真实脚路、男左臂同衣与空右手，楼梯扶栏一侧可用，不要求镜还在手。；侧机随真实五级脚路下移80cm，落他继续向下的肩背，不回切酒桌。
【初始物理状态】男仍坐、左衣右空，话已答完；埃文仍门内，朋友坐对侧。
【统一光影】室内暖灯延续木廊小壁灯，镜小晶点只示真实留声启停，不投定位或对端人。
【风格提示词】原生9:16写实真人浪漫奇幻，保自然皮肤、布木铜重量；眼口、接触点、身体支撑与去向清楚。无黑雾残影或悬浮物。
【声音与画面硬锁】妻不在酒馆可见域，镜只已登记她端留声不自动答；原契不从镜袋变出，收镜后才空右下阶；朋友起哄无新增可辨词。

0.0—2.5秒：
男双脚从椅前实站稳，左臂承同衣，右空；桌杯不再碰，埃文门内后景。
真实切镜进入本机位。他左臂承衣，身体前倾、双脚承重起身站稳，右手不去杯。
画面表演：改变落地。
运镜：固定全身保椅离重、两脚落稳，不能从坐脸直接跳到门边。
声音：椅与衣料轻响。

2.5—4.5秒：
男左衣右空从椅到门前真实1m路，埃文仍挡门，朋友保持桌侧不占线。
真实切镜进入本机位。他左衣右空走到埃文面前臂距停，未挤过身体。
画面表演：熟人间从容。
运镜：侧伴1m真实短路，落男停埃文臂距，不能穿过尚未让的门。
声音：实脚步、低弦乐渐远。

4.5—7.5秒：
男空右真轻拍埃文近肩并松，埃文侧步靠门左壁让≥0.8m净口；两人脚与门框可见。
真实切镜进入本机位。他空右轻拍埃文近肩一下后收回；埃文笑着侧一步贴门左壁，原门口净出至少0.9m，男尚未过门。
画面表演：友好的放行。
运镜：门侧全身固定让肩接触与让路脚步都实见，不用切后已空门代替。
声音：肩衣轻拍和侧步实声。

7.5—9.5秒：
男左衣从真净门口走过的侧脸和肩，嘴角笑朝前；埃文靠壁、朋友桌侧后景轻起哄，不抢嘴。
真实切镜进入本机位。他从已让净的同门迈入木廊，笑但不回头；埃文与朋友在后轻起哄，无清楚新词。
画面表演：改变可被朋友看见。
运镜：侧伴出门1m落廊，不反摇回朋友，不让他回头补反应。
声音：无词起哄渐远、脚步清楚。

9.5—12.5秒：
走廊中男左臂同衣承稳，空右从其独立内镜袋取黑铜八角自镜、拇指开铰盖；原契另袋扣闭。
真实切镜进入本机位。他边走边以右从左臂同衣的内镜袋抽出黑铜八角自镜，拇指掀盖；左臂仍全承衣。
画面表演：先为她留话。
运镜：同向伴走1.2m，镜和右手保持胸腰可见，不跳到已开镜。
声音：镜袋扣与铰盖实响。

12.5—14.0秒：
行走中男右持同黑铜镜、拇指实际按自留声点，晶点由暗到亮一次；不出现妻影或定位。
真实切镜进入本机位。右拇指按同镜已登记莉拉端的留声点一次，短晶点亮后才准备说话，仍向楼梯走。
画面表演：今晚的自主邀约。
运镜：同速伴右掌0.6m保拇指真按与一次起录，非画外自动开始。
声音：真实轻点一声，无接通对话或新增音。

14.0—17.0秒：
男行走中的说话眼口，右镜在胸前低边，左衣画外实承；目光给自镜而非幻想妻在廊。
真实切镜进入本机位。他看右掌自镜留声，说等他一起吃饭，脚步仍朝同一楼梯。
画面表演：寻常而珍贵的确定。
运镜：与他同速伴行0.9m保真实留声口型，前景镜不遮嘴，落eat together。
声音：英语现场口型，不出莉拉回音。
读法：卡西安；年轻成年男性中低音，厚实胸口支撑与清楚前口腔共鸣并存，无磨砂沙哑；辅音利落、元音不拖，标准美式英语；基线自信有节奏跳跃、句尾落稳，笑意不油滑；沿廊走着向自己镜留声，镜端未自动回话；六词3秒约120词/分，像给熟人留话，声音实口说出；现场开口说：“Wait for me. We'll eat together.”

17.0—20.0秒：
男楼梯口稳停，右拇指停同镜晶点灭、合盖贴掌，再入左臂同衣内镜袋扣实；右手末空。
真实切镜进入本机位。到楼梯口他稳停半步，以右拇指停录晶点灭，合镜贴掌，放回同衣独立内镜袋扣好，右手空。
画面表演：准备径直回家。
运镜：锁一次实际停录合盖收掌入袋，原契另一扣袋不触，收好后才下阶。
声音：停录短点、合盖扣口实声。

20.0—24.0秒：
同木梯顶至下五级真实脚路、男左臂同衣与空右手，楼梯扶栏一侧可用，不要求镜还在手。
真实切镜进入本机位。他左承同衣，空右扶栏，双脚依次踏下同梯五级，松紧自然继续向下；镜留合扣内袋，未回头。
画面表演：选择已成为路线。
运镜：侧机随真实五级脚路下移80cm，落他继续向下的肩背，不回切酒桌。
声音：五次实鞋阶、木栏轻响。

en picture + English dialogue

【Video E46-G06 | Leave her a message and actually leave】
【Duration】24.0 seconds
【Target model】Seedance 2.5
【Cast and voice sources】Cassian, a 26-year-old adult man, the same identity as an autonomous wealthy complete six-limbed black dragon; human short dark-brown hair, thick brows, broad nose root and young broad jaw, broad shoulders, substantial neck and palms. Soft white shirt, black trousers/practical boots and ordinary wedding ring, private front embroidery buttoned out of view; same fine matte black diagonal-front coat/sea-indigo-gray shoulder-neck lining supported on left arm, never instantly worn. Only a thin dry dressing remains over the old left-palm injury, allowing ordinary carrying without fresh blood or a permanent support. Five fingers, ordinary pupils, no horns, scales or transformation here; the later back injury has not happened. Initially still seated in white shirt/same coat left/right free; actually rises/passes door, coat left/right retrieves-opens-records-stops-stows mirror once, free right then rail for stairs. Fixed voice: Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect.
Evan, adult werewolf friend and assistant; short curls, wider nose, rounder cheeks, amber eyes and short coarse mane behind the head, small canines when smiling; warm grey-brown leather and loose coarse-knit collar, naturally sturdy adult shoulders and abdomen, dark-gray trousers and brown practical boots, ordinary working hands, no hearing loss or old injury. Initially blocking doorway, actually steps to left wall after shoulder pat, then stays inside. Fixed voice: Adult male middle register, bright forward oral resonance, compact clean tone with slight texture; short consonants and naturally open vowels in General American English; brisk baseline pace and quick endings, friendly wit rather than villainous sneering.
Friend, an unnamed adult noble man about thirty with short ash-brown straight hair, soft square face and ordinary dark eyes; rust-brown short coat, ivory linen inner collar, dark trousers and practical boots. Seated opposite at small table outside exit lane, ordinary human appearance, distinct from Evan’s wolf canines. Seated opposite table/hands empty, only wordless cheering, no more cup or jug handling. Fixed voice: Adult male middle register with natural chest support and clear forward oral resonance, lightly dry texture without rasp; short consonants and natural vowels in General American English; steady direct baseline, a small question lift then settle, no villainous sneer.
【Setting】Same singing-room table corner→1.1m doorway→5m ordinary warm-wood corridor→same visible stair. Evan initially still inside opening, man passes only after actual step aside; mirror stowed in same coat’s inner pouch before descending.
【Props】Same coat already on his left arm, original stock-right contract fastened in separate inner document pocket; own black-copper 9×7cm octagonal mirror in another 12×10cm pouch, actually taken/opened/recorded/stopped/stowed with right. Full cup at table corner and jug stay there, no drinking.
【Transitions】Establish listed setting at explicit cut; do not replay completed actions.
【Spatial anchors】Seated man 1m from doorway, Evan occupies 1.1m opening; after stepping to left door wall leave at least 0.9m clear, man follows 5m corridor to stair.
【Blocking】Initially coat left/right free; actually rise/approach, right taps Evan’s near shoulder and Evan really steps aside. Pass without looking back; right retrieves mirror from left-arm coat pouch/opens/starts recording, coat remains left. Actually stop/close/stow/fasten, right free before stairs.
【Camera and movement】His feet actually rise from chair to stand, same coat on left arm/right free; table cup untouched, Evan inside doorway behind.; Hold full body to show unloading seat and planted feet, no seated-face jump to doorway. -> Man coat left/right free walks actual 1m chair-to-door route, Evan still blocks doorway, friend stays by table outside path.; Track alongside the actual 1m route, landing within arm’s reach of Evan without passing through an uncleared opening. -> Man’s free right actually pats Evan’s near shoulder and releases; Evan steps aside to left door wall leaving ≥0.8m clear, both sets of feet and jamb visible.; Full-body fixed doorway side view keeps shoulder contact and clearing step visible rather than cutting to an already empty door. -> His side face/shoulders pass actually cleared doorway with coat left, smile directed forward; Evan at wall and friend at table cheer lightly behind without stealing speaking focus.; Track 1m alongside exit into corridor, no pan back to friends and no backward look. -> In corridor his left arm supports same coat, free right retrieves own black-copper octagonal mirror from separate inner pouch and thumbs hinged lid open; original fastened in other pocket.; Track 1.2m in same walking direction, keeping mirror/right hand at chest-waist level visible, no jump to open mirror. -> While walking, his right holds same black-copper mirror/thumb actually presses its message point, crystal mark dark→lit once; no wife image or location.; Track 0.6m at his hand’s speed to show actual thumb press and one recording start, never automatic offscreen start. -> His walking speaking eyes/mouth, right-held mirror at chest lower edge, coat actually supported offscreen left; gaze to own mirror rather than imagined wife in hall.; Track 0.9m at his pace for real message lip-sync, mirror never blocks mouth, landing on eat together. -> He pauses steadily at stair top, right thumb stops same mirror/mark dark, closes lid against palm then stows/fastens in same left-arm coat inner mirror pouch; right finally free.; Hold one actual stop/close/palm-stow/pouch fastening, leave separate original pocket untouched and descend only afterward. -> Same wooden stair top through five actual steps, coat on left arm/right empty, handrail available at one side, mirror no longer in hand.; Side camera descends 80cm with five actual steps, landing on his continuing downward shoulders/back, no return to drinking table.
【Initial physical state】Man still seated/coat left/right free, answer finished; Evan still inside opening, friend seated opposite.
【Lighting】Warm room lamps continue into corridor sconces; tiny mirror crystal mark only shows real recording start/stop, no location display or remote-person projection.
【Style】Native 9:16 photoreal live-action romantic fantasy with natural skin and real cloth, wood and copper weight. Clear eyes, mouths, contacts, support and destinations. No dark fog, afterimages or floating objects.
【Audio and picture locks】Wife not visible in tavern; message only to her registered endpoint, no automatic reply. Original never appears from mirror pouch; stow before free-right stair descent; friends’ cheering has no added intelligible words.

0.0—2.5 seconds:
His feet actually rise from chair to stand, same coat on left arm/right free; table cup untouched, Evan inside doorway behind.
Real cut into this viewpoint. With coat over left arm he leans forward, loads both feet and rises to stand, right never reaching cup.
Visible performance: Change becomes physical.
Camera: Hold full body to show unloading seat and planted feet, no seated-face jump to doorway.
Sound: Soft chair/cloth sound.

2.5—4.5 seconds:
Man coat left/right free walks actual 1m chair-to-door route, Evan still blocks doorway, friend stays by table outside path.
Real cut into this viewpoint. He walks coat left/right free to arm’s reach of Evan and stops without squeezing through him.
Visible performance: At ease with a friend.
Camera: Track alongside the actual 1m route, landing within arm’s reach of Evan without passing through an uncleared opening.
Sound: Real footfalls/low strings receding.

4.5—7.5 seconds:
Man’s free right actually pats Evan’s near shoulder and releases; Evan steps aside to left door wall leaving ≥0.8m clear, both sets of feet and jamb visible.
Real cut into this viewpoint. He pats Evan’s near shoulder once with free right then withdraws; Evan smiles and steps to left door wall, clearing at least 0.9m of same opening, man not yet through.
Visible performance: Friendly release.
Camera: Full-body fixed doorway side view keeps shoulder contact and clearing step visible rather than cutting to an already empty door.
Sound: Real shoulder-cloth pat and sidestep.

7.5—9.5 seconds:
His side face/shoulders pass actually cleared doorway with coat left, smile directed forward; Evan at wall and friend at table cheer lightly behind without stealing speaking focus.
Real cut into this viewpoint. He passes same cleared door into wooden corridor, smiling without looking back; Evan and friend cheer lightly behind, no clear added words.
Visible performance: Friends can see his change.
Camera: Track 1m alongside exit into corridor, no pan back to friends and no backward look.
Sound: Wordless cheering recedes, clear footsteps.

9.5—12.5 seconds:
In corridor his left arm supports same coat, free right retrieves own black-copper octagonal mirror from separate inner pouch and thumbs hinged lid open; original fastened in other pocket.
Real cut into this viewpoint. Walking, he uses right to draw own black-copper octagonal mirror from inner mirror pouch of coat on left arm and thumbs lid open; left arm still fully supports coat.
Visible performance: Choosing to message her.
Camera: Track 1.2m in same walking direction, keeping mirror/right hand at chest-waist level visible, no jump to open mirror.
Sound: Real pouch clasp and hinged lid.

12.5—14.0 seconds:
While walking, his right holds same black-copper mirror/thumb actually presses its message point, crystal mark dark→lit once; no wife image or location.
Real cut into this viewpoint. Right thumb presses once to start message for Lila’s already registered endpoint; tiny mark lights before he speaks, still walking toward stair.
Visible performance: His own choice tonight.
Camera: Track 0.6m at his hand’s speed to show actual thumb press and one recording start, never automatic offscreen start.
Sound: One real soft click, no connected dialogue or added voice.

14.0—17.0 seconds:
His walking speaking eyes/mouth, right-held mirror at chest lower edge, coat actually supported offscreen left; gaze to own mirror rather than imagined wife in hall.
Real cut into this viewpoint. He looks toward own right-held mirror and records that she should wait and they will eat together, feet continuing toward same stair.
Visible performance: Ordinary, valued certainty.
Camera: Track 0.9m at his pace for real message lip-sync, mirror never blocks mouth, landing on eat together.
Sound: On-camera English, no answering Lila voice.
Delivery: Cassian; Young adult male lower-middle register with substantial chest support and clear forward oral resonance, no gravelly rasp; decisive consonants and unextended vowels in General American English; confident rhythmic baseline and grounded endings, warmth without a slick affect; Walk along the corridor while recording on his own mirror; no automatic reply; Six words in three seconds/about 120 wpm, an easy message spoken aloud; live onscreen says: "Wait for me. We'll eat together."

17.0—20.0 seconds:
He pauses steadily at stair top, right thumb stops same mirror/mark dark, closes lid against palm then stows/fastens in same left-arm coat inner mirror pouch; right finally free.
Real cut into this viewpoint. At stair top he pauses half a step, stops recording with right thumb as mark darkens, closes mirror against palm and returns it to same coat’s separate inner mirror pouch/fastens, leaving right free.
Visible performance: Ready to go straight home.
Camera: Hold one actual stop/close/palm-stow/pouch fastening, leave separate original pocket untouched and descend only afterward.
Sound: Short stop click and real lid/pouch clasp.

20.0—24.0 seconds:
Same wooden stair top through five actual steps, coat on left arm/right empty, handrail available at one side, mirror no longer in hand.
Real cut into this viewpoint. Supporting same coat left, he takes rail with free right and steps down five stairs in order, naturally continuing downward; mirror remains closed/fastened inside, no backward glance.
Visible performance: Choice becomes a route.
Camera: Side camera descends 80cm with five actual steps, landing on his continuing downward shoulders/back, no return to drinking table.
Sound: Five real boot-steps and soft wooden rail contact.

中文源句与英文核对

E46-D01 卡西安：没错，我喜欢你。不想只做婚契上的丈夫。 → Yes. I like you. I want to be more than your husband on paper.

E46-D02 卡西安：我会吃醋，会想吻你。看到你把别人挡在门外，我能高兴一整夜。 → I get jealous. I want to kiss you. Watching you shut someone else out can keep me happy all night.

E46-D03 莉拉：知道了。 → I know.

E46-D04 卡西安：那一年以后，你还留不留？ → When the year is up, will you stay?

E46-D05 莉拉：我以前没跟谁这样一起过日子。给我一点时间，不是让你走。 → I've never shared a life with anyone like this. Give me time. I'm not asking you to leave.

E46-D06 莉拉：今晚回家，陪我吃饭。 → Come home tonight and have dinner with me.

E46-D07 卡西安：说定了。 → It's a date.

E46-D08 莉拉：他们按残货卖，我按能修好的货收。北湾缺现货，船期在这。修复、接订单、找买家，你来经办。别只会在浴池里摆花。 → They sold damaged stock. I bought what we can repair. Northbay needs it now. Here's the sailing date. Handle repairs, orders, and buyers. Don't just fill the bath with flowers.

E46-D09 埃文：我们一直以败家为荣，你现在要改规矩？ → We've always taken pride in wasting money. Now you're changing the rules?

E46-D10 卡西安：她今天还没好好吃饭。我回去跟她一起。 → She hasn't had a proper meal today. I'm going home to eat with her.

E46-D11 朋友：厨子不会做？ → Can't the cook handle that?

E46-D12 卡西安：会做饭的不缺。等我回去的人，只有一个。 → Plenty of people can cook. Only one is waiting for me to come home.

E46-D13 卡西安：等我一起吃饭。 → Wait for me. We'll eat together.